Austin Lugo

The Ice Pick: or The Undisclosed Virtue of the Orbital Lobotomy

FADE IN:

EXT. TRAIN STATION - DAY

FREEMAN, a young, burly man, stands at a station, suitcase in hand, looking over a letter.

Next to him huff two men, carrying one casket after another, stacking them on top of eachother.

An old woman hobbles up to Freeman.

Freeman tips his hat, searching for the train.

The old woman coughs into a handkerchief.

Freeman looks at his watch, sighs, looks ahead.

The old woman coughs again, louder, heavier.

Freeman smiles bitterly.

The old woman coughs again, falters, falls to her knees, can't stop coughing.

Freeman hesitates, looks all around, waves to the two men. The two men ignore him.

The old woman falls flat on the ground, still.

Freeman digs through his pockets, withdraws a bottle of pills, shaking, swallows a few.

Freeman nudges the woman with his foot, tries to speak, can't.

The old woman doesn't respond.

Freeman looks to the two men, approaching, terrifying.

Freeman takes a step back, another. Another. Trips over the dead woman, drops his briefcase, the letter.

The men come closer. Closer.

Freeman tries to scream, can't.

The men pick up the old woman, drop her into a casket, and hammer the lid shut.

A train whistle blows.

The letter lies upon the ground, reads: "We're regret to inform you of the death of Walter Freeman"

INT. BAR - DAY

Freeman gulps down an old fashion in a drunken stupor. He holds up his glass, slurs.

FREEMAN

Another round!

BARTENDER

How bout some water pal?

FREEMAN

What good would that do?

BARTENDER

A whole lot by the looks of it.

FREEMAN

I suppose you're a doctor then, yes? A man of the medical vocation?

BARTENDER

Well I do dabble in

FREEMAN

Let me tell you what I "dabble" in "buddy". The mind, the brain, the soul, the very fabric of reality. You think it and I know it.

BARTENDER

Sure pal.

FREEMAN

Think I'm just another good for nothing drunk?

BARTENDER

You said it pal.

FREEMAN

How old are you?

BARTENDER

Just about 23.

FREEMAN

And me just the same!

BARTENDER

Congratulations.

FREEMAN

And a tenured professor at that.

BARTENDER

Sure buddy.

FREEMAN

A doctor no less.

BARTENDER

Uh huh.

FREEMAN

A surgeon at that!

BARTENDER

Surgeon, huh?

FREEMAN

Well more of an anatomist, if you really must know, but thats not the point.

BARTENDER

Sure pal.

FREEMAN

Don't you see?

BARTENDER

I look blind to you?

FREEMAN

It is not your cornea which concerns me.

BARTENDER

And what is it, exactly, that does?

FREEMAN

You and me, we are much the same. Same build, same class, same age.

BARTENDER

What makes you think

FREEMAN

Hush now. Listen. This is how it is. You and me, we are much the same. But at the same time, we are very different. So whats the difference?

BARTENDER

I'm pouring and you're drinking.

FREEMAN

Beyond that.

The bartender sighs, looks around the empty bar.

BARTENDER

Look, buddy, I got a job to keep, so if you could just

FREEMAN

And not I?

BARTENDER

Not much by the looks of it.

FREEMAN

I'll have you know I'm in the midst of an operation at this very moment between space and time, so often referred to as reality.

BARTENDER

Oh yea? And who's the patient? Buster Keaton?

FREEMAN

Facetious you may be, but the truth is no different.

BARTENDER

So you're telling me you're operating on a patient right here, right now, in this very establishment.

FREEMAN

Don't be preposterous! I'm conducting the procedure over at St. Elizabeth's.

BARTENDER

That whiskey there says otherwise.

FREEMAN

Well, you see, my good friend and fellow surgeon

BARTENDER

I thought you said you weren't a surgeon.

FREEMAN

Pardon the nomenclature. My assistant, the surgeon, just smoked his last cigarette. Now I couldn't have that. What's a man without his nerve? So I ran down to pick up another pack. And on my way back, I passed by this fine establishment, and thought to myself "why, whats the harm in a little hair of the dog?"

BARTENDER

And then a couple hours go by just like that.

FREEMAN

Hours?! Why it's hardly been a quarter!

BARTENDER

It's been two, buddy, working on three, so maybe you should just get back to your

FREEMAN

You don't say! Well I'll be. The brain is an endlessly captivating apparatus.

BARTENDER

So how bout that water pal?

FREEMAN

Yes, well, perhaps, but then again

The phone rings. The bartender growls, steps over to the phone, answers it.

BARTENDER

Hello? Oh yea, sure! You're in on it too, huh? Dead, is she? Well let me tell you what bub, if you think you can just

FREEMAN

Pardon?

BARTENDER

What?!

FREEMAN

I don't suppose thats St. Elizabeths?

BARTENDER

Ya don't say!

FREEMAN

Yes, well, I suppose my presence is a bit overdue. How much?

BARTENDER

You know what? Forget it. Just get, yea? How about that?

FREEMAN

Well a man is no man if not a man of his word.

BARTENDER

And what word is that?

FREEMAN

Will a buck break even?

BARTENDER

Just about.

FREEMAN

Then lets call it two for the trouble.

BARTENDER

Sure thing pal.

FREEMAN

And one last thing.

BARTENDER

What?

FREEMAN

You said she was dead, correct?

BARTENDER

Sure buddy.

FREEMAN

Damn. Thats the third one this week. Well, good day to you sir.

Freeman stands, rifles through his pockets, places two dollars on the counter, tips his hat, and walks out of the establishment.

INT. AUDITORIUM - DAY

Freeman stumbles into an auditorium.

MONIZ, an old, distinguished gentleman, stands before a large crowd, upon a small stage, using a leukotomy to dig through a patient's brain.

MONIZ

...severing the neural connections in the pre-frontal region disrupts detrimental emotional responses which have grown habitual in the patient during the course of the disease. Furthermore, this process spawns novel neural pathways, abandoning faulty patterns for more docile frameworks. In other words, gentlemen, we are reinventing mankind.

Moniz finishes his operation and sets down his tools.

MONIZ

Ah, but you fret. The tension is palpable. The anxiety ridden foolishness of hopeless skeptics. But it was you Americans, not I, who first performed the leukotomy. Know not of the one named Lucy, the once raving monkey? Or is that not proof enough? Well then, gentlemen, let me introduce to you the world's first human leukotomy.

A young woman steps across the stage as the leukotomy patient is wheeled away.

Two chairs are brought to the center of the stage, one sitting in each.

MONIZ

Please.

Meryl obeys.

MONIZ

Now tell me, Ms., how old are you?

MERYL

18.

MONIZ

And why, pray tell, were you sent to me.

MERYL

Sc...sc...schizophrenia.

MONIZ

Thats right Meryl! Very good! And what were the symptoms of this atrocious disease?

MERYL

Symptoms?

MONIZ

Why did you come to me?

MERYL

It was my father, you see, he thought

Moniz laughs courteously.

MONIZ

Yes! Yes! Of course. But why were you brought to me?

MERYL

Oh. Well...I have...well...voices....

MONIZ

Voices?

MERYL

I hear things.

MONIZ

You hear voices?

MERYL

Yes.

MONIZ

Well we all hear voices, Ms. Meryl. That's the beauty of the temporal lobe!

The crowd laughs.

MERYL

(Agitated)

No! No. Like. Bad voices.

MONIZ

Bad voices?

Meryl nods.

MONIZ

Can you elucidate?

MERYL

Sir?

MONIZ

I mean, what kind of bad voices?

MERYL

Voices that say bad things.

MONIZ

Like what?

MERYL

Hurt. Kill. Mutilate. Rape. Murder. Murder. Murder. Murder. M

Moniz taps Meryl on the knee.

MONIZ

Very good, Meryl. And what happened to these voices?

MERYL

Happened?

MONIZ

Post surgery?

MERYL

Surgery?

Moniz turns to the audience.

MONIZ

It must be noted, before we continue, that the leukotomy creates a sort of, how do you say, short term amnesia. She cannot recall the events promptly prior to the operation.

Moniz turns back to Meryl.

MONIZ

Apologies, Ms. Meryl. Tell me more about these voices.

MERYL

More?

MONIZ

Do you still hear them?

MERYL

Oh yes! Very much so!

The crowd mumbles audibly. Moniz laughs uncomfortably.

MONIZ

Yes. Yes. Of course! But do you listen to them?

MERYL

Oh I certainly hear them!

The crowd grows more agitated.

MONIZ

No, no! Not hear, listen.

MERYL

Listen?

MONIZ

Do you do what they say?

MERYL

Why, no. Never.

The crowd goes silent.

MONIZ

Never?

MERYL

Well, I mean, not anymore. Not since...since

MONIZ

Since the surgery.

Meryl nods. Moniz turns back to the crowd.

MONIZ

Voices, unfortunately, are rather inevitable; but her desire to act upon them, her impulse to obey them, that, gentlemen, is entirely eradicated. No longer is she a wild, promiscuous, raving lunatic; but a bright, docile, upright citizen, with a wonderful future ahead of her! Isn't that right Meryl?

MERYL

Why, yes, yes it is. Its as if I'm...I'm

MONIZ

Reinvented?

The crowd hoots and hollers and cheers. Moniz stands, bows, the woman is taken off stage.

MONIZ

And this, gentleman, is just the beginning.

Roars of applause as press agents snap photos.

INT. LECTURE HALL - NIGHT

Upon a paper is a picture of Moniz, above it reads "Our next Nobel Prize Laureate?"

Freeman sets down the paper, his wife, MARJORIE, before him, three boys running around the office.

FREEMAN

So this whole leukotomy thing, how does it work?

MARJORIE

After removing the parietal bone, you

FREEMAN

Don't patronize me Marjorie.

MARJORIE

Don't ask stupid questions Walter.

FREEMAN

Can I do it?

MARJORIE

No.

FREEMAN

What?

MARJORIE

You can't.

FREEMAN

I'm sorry?

MARJORIE

You can't.

FREEMAN

Am I deaf?

MARJORIE

No.

FREEMAN

Am I blind?

MARJORIE

Not that I'm aware of.

FREEMAN

Am I suffering from some sort of mental disease?

MARJORIE

None diagnosed.

FREEMAN

Then what's the goddamn problem?!

MARJORIE

Language!

Freeman sighs.

FREEMAN

Marjorie, please.

MARJORIE

You need a surgeon.

FREEMAN

I'm the greatest anatomist in the world! What would I possibly need with

MARJORIE

Yes, darling, I'm well aware of your glorious status as a world renowned anatomist. You're a real Wilhelm Wundt.

FREEMAN

Then what's the problem?

MARJORIE

Just the minor issue of the American Medical Board.

FREEMAN

That all?

MARJORIE

Be reasonable, darling.

FREEMAN

I operate all the time.

MARJORIE

On cadavers.

FREEMAN

Whats the difference?

MARJORIE

Cadavers rarely die.

FREEMAN

Well I'll

MARJORIE

Perhaps you are unaware, darling, but this is a hospital.

FREEMAN

Thank you for the reminder, Marjorie. But I don't see how

MARJORIE

Death, dear, is not our business.

FREEMAN

Open a morgue then! A mortuary! A funeral parlor! A

MARJORIE

Walter!

Freeman stops.

MARJORIE

We are not in the business of murdering our patients.

FREEMAN

What makes you think

MARJORIE

A surgeon, darling. Thats what you need. No surgeon, no surgery.

INT. LECTURE HALL - DAY

Filled to the brim with students, a young man, Dr. Watts, performs brain surgery.

WATTS

Now remember, gentlemen, it is of upmost importance that the clamps are applied before attempting any lesions.

The class chuckles.

WATTS

Snicker now, for when a patient lies in a pool of their own blood, hemmoraging beyond control, your smiles will linger no longer.

The class chuckles again. A bell rings.

The men pack their belongings and begin to leave.

WATTS

Remember, gentlemen, a good mind and a great mind are alike, except in that a great mind doesn't mind a good mind, while a good mind, well, they mind.

The class disperses. Freeman steps towards the front of the lecture hall.

Watts offers a chair, Freeman shakes his head. Watts shrugs, sits anyways.

WATTS

Well?

FREEMAN

It's about a man named Moniz.

INT. SURGERY ROOM - DAY

Freeman and Watts sit opposite each other, studying a file of papers.

FREEMAN

Alice Hammond. 42. Housewife. Mother of three. Sluggish, lethargic, avowedly unmotivated. Squanders countless hours evading company. Rarely attends to dinner and other wifely obligations.

WATTS

Seems rather dismal.

FREEMAN

Most likely melancholic.

WATTS

Misery connotes no melancholia.

FREEMAN

Lethargic, unwilling, inattentive. What else?

WATTS

Her life is hardly a thrill.

FREEMAN

So neglect should be excused?

WATTS

Oh come now, Dr. Freeman! This is sick! She's just lonely, is all.

FREEMAN

She's got three kids and a husband too.

WATTS

And what of him?

FREEMAN

What of him?

WATTS

We have nothing on him.

FREEMAN

Why would we?

WATTS

Is he not her misery?

FREEMAN

But not our patient.

WATTS

And who's fault is that?

FREEMAN

I didn't realize concern was such a felony.

WATTS

Oh don't give me that concerned husband bullshit. He's just tired of her nagging.

FREEMAN

Watts!

WATTS

Don't play the fool, Dr. Freeman, it's an entirely bad look on you.

FREEMAN

I assure you, Watts, I'm altogether at a loss.

WATTS

He's got a gal on the side and the dish is too filling.

FREEMAN

Speculation, only.

WATTS

And what of this?

FREEMAN

I've my evidence. Wheres yours?

WATTS

You describe distress, not melancholia.

FREEMAN

I fail to see the difference.

WATTS

That, Dr. Freeman, is precisely my concern.

FREEMAN

Since the dawn of civilization, humans have searched in vain for the remedy to end all maladies. The solution to this revolting madness. And for the first time in history, we have the tools in our hands to rid this woman of this wretched existence! But you'd rather her squalor in misery, for she's not glum enough for your temperament?

WATTS

This is her life we're talking about!

FREEMAN

And what life is this? Insulin, electroshock, hyperbaric treatment. Why theres hardly reprieve from this wretched existence. But perhaps that's preferred: a life lived only to suffer.

As Freeman speaks, images of patients being treated flash across the screen.

WATTS

Caution, Dr. Freeman, condones no neglect.

FREEMAN

In that you are correct, for neglect implies inexperience, ignorance at best. But this is planned. This is purposeful. This is a man who elects torture for the sake of feasibility.

WATTS

Calling the kettle black, are we?

FREEMAN

I, unlike some, wish only to fulfill my sacred duty as a man of the medical profession. I see a better path and so I take it. Risky, yes, but consider the alternative. Bathing in scalding temperatures. Shivering for endless hours. Shaking and screaming and howling without end. It's this or that, Watts. That or this. And so I fail to see the strength of your position.

Watts sighs, toys with his pen, looks away, nods.

EXT. HOSPITAL - DAY

Freeman and Watts stand with a woman between them, sitting in a wheelchair, posing for dozens of cameras, journalists shoving each other aside.

FREEMAN

That's right ladies and gents. The leukotomy is dead! Dead I say! Dead! Tis the era of the lobotomy, thats right, lobotomy. Let me spell it out for you. L-O-B-O-T-O-M-Y. That spells lobotomy for you, yes, lobotomy. The first of its kind. The first in America, the first in the world. Gone is the era of cutting and breaking and tearing and scraping and in comes the age of modern medicine. Two cuts, thats all it requires, two tiny incisions and look what you have: melancholia cured! Alice, why don't you say something for the good people of the world.

ALICE

Well I suppose I could use a bath.

FREEMAN

Splendid, wonderful, a new T.S. Elliot! What a thrill it will be to see your name in the paper. Now you must excuse us, we really must go, for this young woman is going home! Thats right, home I said, home! I'll say it once, and I'll say it again, this woman is going home! A bonafide cure in under an hour. But this is no act of God, no marvelous miracle. This, I tell you, is an act of modern medicine. But alas, our departure is imminent, and our meeting cut short. Ms. Helen must return to her humble abode.

Freeman and Alice retreat into the building. Watts stands, shy of the camera, and scurries off inside.

EXT. NEWSPAPER MONTAGE - DAY

Watts performs Lobotomies as Freeman barks orders, overlaid with Newspaper headlines reading as followed:

The cure to end all cures?

The end of the insane asylum?

What a woman wants: a husbands guide to the prefrontal lobotomy.

Another year, another lobotomy. Dr. Freeman performs his 100th procedure.

The truth about psychiatric hospitals! Their monumental growth and what that means for you!

Feminist declares lobotomies will be the death of the modern woman!

Dr. Freeman person of the year!

INT. HOUSE - NIGHT

Dozens of people crowd around champagne filled glasses, scurrying off with bubbly enlightenment, filling the house with buzz and chatter.

Watts sits alone in a corner, drinking steadily, as Dr. Freeman schmoozes GWU faculty.

One of the men, a priest, JOHN, continues his academic speech.

JOHN

But what I fail to fathom, Dr. Freeman, is the procedure's rationale.

Freeman cackles.

FREEMAN

I suppose you'd rather they rot in their own filth, comatosed by insulin shock? Or perhaps broken bones from electroshock? Or is hydro therapy more your speed?

JOHN

I do not attest to the atrocities of these alternative procedures. But ones failure hardly connotes another's favor. What evidence have you, besides your own claims?

FREEMAN

Think these journals fools gold? These biographies squandered saplings? I'm afraid you are sorely mistaken, Father. For if it is proof you require, it is evidence I've acquired.

Freeman points to a large collection of journals, all past patients.

JOHN

Testimony, I'm afraid, is merely a fool's errand.

FREEMAN

Then what of scripture?

JOHN

You can hardly equate the word of God to the deranged scribblings of a mad woman.

FREEMAN

And why not?

JOHN

Why because they are mad, of course!

FREEMAN

Perhaps you've forgotten your good friend King Solomon.

JOHN

I would abstain from such blasphemy, Dr. Freeman.

FREEMAN

You have your faith, and I have mine.

JOHN

But what of cessation? That is to say, to start is rather simple, but to end, well, to what end?

FREEMAN

Well its really rather straightforward, you see, we...well we...well, come to think of it, father, I'm not really so sure.

JOHN

So you just flail about blindly, yielding your scalpel like the Excalibur?

FREEMAN

I believe the correct term is faith, father.

JOHN

But is not science a practice of exactitude? Is that not the crux of the scientific method?

FREEMAN

What do you suppose we do, play a round of trivia pursuit?

JOHN

Why I'd hardly suggest

FREEMAN

Say, thats not such a bad idea!

JOHN

Pardon?

FREEMAN

You're a genius, Father! A bonafide saint in the making. Now if you will excuse me, father, history awaits me.

Freeman walks over to Watts, wallowing in a corner.

FREEMAN

Say! You're rather smashed!

WATTS

Yet you're still sober.

FREEMAN

Never touch the stuff, ever since

WATTS

The dead guy in your office.

FREEMAN

A reasonable concern.

WATTS

What do you want?

FREEMAN

Why must you always assume I want something from you?

WATTS

Because you always do.

FREEMAN

Well thats just not true.

Watts gets up to leave.

FREEMAN

Well I...yes, well, perhaps in this particular situation, I do.

Watts gulps down a glass full of liquor, fills another.

FREEMAN

But this concerns you too.

WATTS

It always does.

FREEMAN

Pardon?

WATTS

Everything you do concerns me too.

FREEMAN

Hyperbole is hardly a good look on you.

WATTS

What can you do?

FREEMAN

Why Watts this is hardly the place to

WATTS

What, Dr. Freeman? What? What can you possibly do? Without my expertise? What good are you?

FREEMAN

Watts, please. You're causing a scene.

WATTS

Am I now?! And what of you?!

FREEMAN

I'd hardly consider a friendly gathering of

WATTS

Oh come now, Dr. Surely you are not such an incompetent fool!

FREEMAN

By that you mean?

WATTS

You're an egomaniacal megalomaniac without the slightest idea of what he is doing!

Freeman goes cold.

FREEMAN

I would advise you to abstain from such delirious language.

WATTS

Have I offended thee? My apologies! For you are the world renowned anatomist! And I just a lowly disciple. Oh blessed one. Oh holy one. How I harmed thee! Please, allow me to offer my sincerest apologies! May I beg of forgiveness? May I ask that of thee? Oh please, please, let me fall down on bended knees!

Party goers turn their heads as Watts falls to his knees.

FREEMAN

Pardon us, ladies and gents. Just a lively debate between old friends.

Freeman holds out a hand. Watts swats it away.

WATTS

A slave's master is no friend of mine.

Watts stumbles outside. Freeman follows.

EXT. BACKYARD - NIGHT

The two stand in shadows, looking in on the crowd of party goers.

FREEMAN

Spectacles serve no one Watts.

WATTS

And what of the pictures? The papers? The movies for christ sake? If thats not a spectacle, what exactly is?

FREEMAN

I'd rather discuss the lobotomy.

Watts cackles.

WATTS

I'd rather have a bottle in front of me.

FREEMAN

This is serious.

WATTS

So sayeth the great Dr. Freeman, healer of all maladies, savior of all men, God amongst mere mortals.

FREEMAN

Don't believe everything you read.

WATTS

Just a victim of the times, aye?

FREEMAN

I don't see you doing anything.

WATTS

Just the lobotomies.

FREEMAN

At my direction!

WATTS

But not your hand.

FREEMAN

Why you're just a dancing monkey! A hired hand!

WATTS

Then why don't you hold that scalpel in your hand, sever those nerves with your knife, risk their life for yours? Oh, thats right, because you can't. You're not a surgeon. You're not a doctor. You're a psychologist. A man of the mind. A man of thoughts and ideas and theories and hypotheses. A man who talks and talks and talks and never quite does anything. A monkey I may be, but at least I perform lobotomies.

FREEMAN

Why you'd think if they granted a snail such a license it'd be sainted a surgeon! This is not a question of skill, but politics! Of schmoozing and hobnobbing every board member and congressman and government official. Why the only difference between you and me is a basic sense of morals, ethics, fundamental principles. But I suppose you've transcended such meager obligations.

Watts scoffs.

WATTS

And what happened to Alice when she fell down that hole?

FREEMAN

Why her husband says she's perfectly docile.

WATTS

Careful now, Winston, big brother is watching.

FREEMAN

As you so eloquently put it, Watts, it is you who performs the lobotomies.

Watts scoffs.

WATTS

Then please, Dr. Freeman, enlighten me, what brilliance has your genius stumbled upon today?

Freeman breaks into a smile.

FREEMAN

This, I believe, is one for the ages.

WATTS

Let me guess. You wanna drop the anestigiolist. Anesthesia too. Just keep them awake right on through.

FREEMAN

Why, how'd you guess?

WATTS

In what hell-ridden world would we

FREEMAN

Efficacy, Dr. Watts. Isn't that what you're always on about? The danger of surgery, the blind man's bluff.

WATTS

What good could possibly come from

FREEMAN

I've formulated a set of questions, a selection of quandaries, a series of queries, which we'll pose to the patient between each severed nerve ending.

WATTS

Oh yea? Like what? Hickory dickory dock, which mouse ran up the clock?

FREEMAN

Yes, well, I haven't quite formulated the questions as of yet, but rest assured, once I do

WATTS

Then what Freeman? What then will you do? Your prayers will be answered? Your patients cured? And what of those who withstood a second operation? Or how about a third? I suppose you believe this too will be their cure?

FREEMAN

Don't you see? This may be the solution you so desperately desire. You complain of inaccuracy, of cutting blindly, well, what of it? Is this not the result you so eagerly require? Is this not the answer you so restlessly lust after? Unless you'd rather electroshock therapy? Or insulin maybe? Or how about hydrotherapy? Or isolation, perhaps? Or nothing but eggs, yes, perhaps thats the solution, nothing but eggs!

WATTS

You've made your point.

FREEMAN

So an arrangement can be made?

WATTS

Thats one word for it.

FREEMAN

A wise man, Watts, I truly must admit. I apologize for my cruel behavior, my crass demeanor, but I get a bit agitated when it comes to things of this nature. I take the human life very seriously. Remember, Watts, I too pledged the hippocratic oath, just like you. But merely doing no harm is not nearly enough. We must do more. We must do good. And this is the good we can do. The end of asylums, the end of disease. The end of schizophrenia and anxiety and melancholia too. We are on the brink of a new world, Watts, so let us not abandon our wits now, with greatness so close at hand.

WATTS

And oh what a brave new world it is, aye Dr. Freeman?

Watts stumbles back into the house.

INT. OPERATING ROOM - DAY

Dr. Freeman sits in front of a young woman.

FREEMAN

Who am I?

WOMAN

Dr. Freeman.

FREEMAN

Are you happy?

WOMAN

Yes.

FREEMAN

What's going through your brain?

WOMAN

A knife.

A roar of laughter. Freeman turns, facing a large crowd, not in a lecture hall, but on a stage.

FREEMAN

Humor, gentlemen, is a sign of great significance. It reveals that while anxiety and melancholia have dissipated, due to the severing of neural connections which bind the frontal lobe to the thalamus, her intellect has not fallen prey to these same damages. This original method, known as the prefrontal lobotomy, is the future of psychosurgery. No more slicing and snipping and clipping haphazardly. No more hoping and praying and wishing your life away. This, gentlemen, is the future in the making.

A roar of applause as curtains close. Freeman turns back to Watts, still performing the surgery.

FREEMAN

How is she?

WATTS

You're the world renowned anatomist.

FREEMAN

Ms? Ms? Can you hear me?

The woman absently turns towards Dr. Freeman.

WOMAN

Yes?

FREEMAN

How are you?

WOMAN

Quite well. How are you?

FREEMAN

And those thoughts you've been having? How about those?

WOMAN

You mean the bad ones?

FREEMAN

I do.

WOMAN

Well, I still have them, I do. But I don't really feel much about them. That is to say, well...well...well

The woman begins to convulse uncontrollably.

FREEMAN

Whats happening?

WATTS

WHAT DOES IT LOOK LIKE?! She's hemorrhaging!

FREEMAN

Move!

WATTS

Pardon?

FREEMAN

Move!

WATTS

This is hardly the time for experimentation!

FREEMAN

Well I can hardly save her life prattling!

WATTS

Dr. Freeman...

FREEMAN

I'm a world renowned anatomist, the world's greatest psycho-surgeon, I think I can handle a minor brain hemhorage.

WATTS

I'm not disputing that. I just think

FREEMAN

Life or death?

WATTS

Which do you think?

FREEMAN

And if she dies, whose hands will stain with blood?

WATTS

I don't have time to debate the futility of

FREEMAN

What then? What? If you want to save her life, let me do my goddamn job!

Watts sighs, obliges, steps back.

FREEMAN

Now where are those clamps?

WATTS

There are no clamps.

FREEMAN

What do you mean there are no clamps?

WATTS

Precisely what I said.

FREEMAN

Why the hell are there no clamps?!

WATTS

You claimed they caused a glare.

FREEMAN

Well obviously I...

WATTS

Go on, Dr. Freeman. What do we do now?

FREEMAN

Well we...I mean...

WATTS

Go on then. You're the surgeon. You're the world renowned anatomist. So pray tell, Dr. Freeman, what do we do now?

FREEMAN

Why you...well I...I mean...

The woman goes limp. Watts sighs, looks at his watch

WATTS

10:42.

FREEMAN

Pardon?

WATTS

TOD. They'll ask.

FREEMAN

Who will?

Watts chuckles

WATTS

Legal.

FREEMAN

What do you mean?

WATTS

Its your problem now.

Watts takes off his gloves, his surgical mask, his apron.

FREEMAN

Wait, Watts, where are you going?

WATTS

Home.

FREEMAN

But the girl, the surgery, the lobotomy.

WATTS

All the perfumes of Arabia will not sweeten this little hand.

Watts walks away.

Freeman digs through his pockets, hands shaking, withdraws a bottle of pills, opens the bottle, drops it. Pills scatter across the floor.

Freeman drops to his hands and knees, grabbing at the pills with dire urgency, hands shaking as he gathers them.

A man, GUSTAV, withdraws from the shadows.

GUSTAV

(German accent)

Dr. Freeman, I presume.

Freeman jumps to his feet, dropping the pills.

FREEMAN

(Clearing his throat)

Why, yes. Affirmative. This is he.

GUSTAV

An honor.

FREEMAN

Yes, well, uh, I don't mean to intrude, but, this stage is strictly for personnel only. Not that I object to your presence; in fact, I quite enjoy the inquisitive intellect, but procedures, you see. Rules and regulations. That sort of thing. Watts here can be a bit of a stickler when given the chance.

GUSTAV

Ah yes, the famed Dr. Watts. His reputation precedes him.

FREEMAN

Well he's really more of an assistant if you really must know. More of the brawn of the operation. A day laborer, if you will.

GUSTAV

My confederates and I are more than well aware of your credentials, Dr. Freeman.

FREEMAN

Confederates?

GUSTAV

Ah yes. Quite right! My name is Gustav Von Burin, head party member of the third reich.

Freeman cackles.

FREEMAN

And what about that whole hail hitler thing?

Gustav smiles.

GUSTAV

A fascinating thing, the American idiot.

FREEMAN

Yes, well, this American idiot must bid you ado.

Freeman gathers his belongings.

GUSTAV

I mean no offense. Surely the term does not apply to you. In fact, Dr. Freeman, we have been looking for a man like you.

Freeman stops stage left.

FREEMAN

Ahh. I see.

GUSTAV

Do you? I fear I've blundered.

FREEMAN

You uh, Nazis, as you call it. Party members. Men of the third reich. Heck of a military you got there. And that Hitler fella, he's really something. Really rally's up those crowds. But what you got yourself into is quite the pr problem. Sure sure, rid the land of the useless and all that. Eugenics, isn't it? Problem is, rest of the world isn't too much into it. Sends a bad message, when you do it out in the open. So you need someone like me, an American, a doctor, to vouch for this final solution.

Gustav shakes his head, nothing but smiles.

GUSTAV

You Americans and your pride. You smear our name, yet supply our war. In the press we are your villains, but in your pockets we are your proprietors.

FREEMAN

Well as far as Americans go I cannot say, but as for me, well, I'm no man's monkey.

Freeman walks off stage.

GUSTAV

But a surgeon, perhaps?

Freeman stops dead in his tracks.

FREEMAN

I am a surgeon.

Gustav cackles.

GUSTAV

You may fool these lesser men, Dr. Freeman, but you do not fool me. I've spoken to your colleagues, your contemporaries, your University. They disdain your presence in the operating room. A supposed case of legality. Man of the year? You can't even touch a leukotomy.

Freeman rushes Gustav, grabs the leukotomy, and grabs Gustav by the collar.

FREEMAN

How about we test that theory of yours out, huh?

GUSTAV

Perhaps your talents are best utilized elsewhere.

FREEMAN

You might be unaware, my good Nazi friend, but here in America, we don't bow down to tyrants.

Gustav frowns.

GUSTAV

My apologies, Dr. Freeman. I was clearly misinformed. I was told you were a man of miracles. God if there ever was. But clearly you are just a small, self conceited, fool, with a pride which precedes his each and every action.

Freeman tosses Gustav aside.

FREEMAN

And you're just a pathetic, good for nothing Nazi spouting nonsense as Eugenics and calling it science.

Gustav climbs to his feet, dusts himself off.

GUSTAV

Perhaps, Dr. Freeman. Perhaps I am the fool. Perhaps I and the rest of the world too. But don't you ever tire of being this man's fool?

A long pause.

GUSTAV

We eagerly await your reply.

Gustav drops a card on the stage and disappears into the shadows. Freeman waits a long beat, picks up the card.

Watts steps back onto the stage, followed by a pair of paramedics.

Freeman smiles sadly. The men carry the dead woman away.

Watts steps away, stops, sighs.

WATTS

I know this isn't ideal. I know this isn't what you wanted. But it's how it is. It's how it goes. It's the law. This isn't about you or me or anyone else for that matter. You doing this, attempting that, puts more than a dead girl's life at risk. Liability, Dr. Freeman, is hardly a toy soldier. There are consequences to your actions. Reprimands for death far beyond this young woman's family. You're pride does more than murder the mad, Dr. Freeman, it bewilders the innocent. One wrong move and we're done for. No more lobotomies. No more patients. No more cures to end all cures. You're the face of this operation, Dr. Freeman. A world renowned anatomist, and the best partner a man could ever ask for. But you are not God, Dr. Freeman. You are not Krishna in the making. You are a man, just like any other, despite what you may wish. And men have limits, Dr. Freeman, and this is yours. So please, I beg of you, do not interfere anymore.

Freeman swallows a handful of pills.

INT. OPERATING THEATER - DAY

Freeman Sets down the bottle of pills, sitting before a cadaver

Gustav steps into the room, followed by two massive men.

FREEMAN

Dr. Gustav! I must be confused. The name upon the door, I believe, is my own, but there hasn't been a sign of a soul in well over an hour.

GUSTAV

Are you not pleased with your patient?

FREEMAN

I've yet to meet mine.

GUSTAV

Is that not her there?

FREEMAN

Dr. Gustav. You must be confused. That woman is dead.

GUSTAV

Have you no cadavers in America?

FREEMAN

Yes. Of course we do.

GUSTAV

Then I fail to see the reason for your confusion.

Freeman smiles through frustration.

FREEMAN

My confusion, Dr. Gustav, lies between what I was assured and what lies before me.

GUSTAV

Wish you not to operate?

FREEMAN

Of course I do.

GUSTAV

Then you shall.

Freeman guffaws.

FREEMAN

Why Dr. Gustav! You had me worried! Now then, where is the lucky lady?

GUSTAV

Now I am the one who is confused, for the patient lies before you.

FREEMAN

This patient is dead.

GUSTAV

A cadaver. Yes. We've been over this.

FREEMAN

I'm not operating on a cadaver.

GUSTAV

You don't in America?

FREEMAN

Yes! Yes! Of course we do!

GUSTAV

Are you not a world renowned anatomist? Is that not so?

Freeman grows disconcerted.

FREEMAN

Competence is not the issue at hand here!

GUSTAV

Then what is?

FREEMAN

I accepted this position based upon the prerequisite that I would be operating as a surgeon.

GUSTAV

And you will.

FREEMAN

When?

GUSTAV

Once everyone is seated.

A large group of german soldiers shuffle into the theater.

Freeman briskly pulls Gustav aside, the two burly men stepping forward, held back by Gustav's wave of the hand.

FREEMAN

(In a whisper)

If it were cadavers I wanted I would have stayed in America!

Gustav brushes Freeman off, turns to the audience.

GUSTAV

(In german)

And now, gentleman, the famed Dr. Freeman will perform his titular surgery, the lobotomy.

A roar of applause.

FREEMAN

(In a furious whisper)

Dr. Gustav!

Gustav tips his hat, steps out of the theater, leaving Freeman alone with the cadaver.

Dr. Freeman turns towards the group of soldiers, feigns a smile.

FREEMAN

That Dr. Gustav guy, he's uh, well, ummm, he's really something.

The men stare at him blankly.

FREEMAN

Right. Yes. Well. I don't suppose any of you speak english?

They all stare at him blankly. Freeman sighs.

FREEMAN

Yes, well then, gentlemen, the lobotomy.

A roar of applause as Freeman grabs his surgical tools.

Freeman approaches the cadaver, knuckles white around his silver tools, and stabs one of the knifes into the woman's head.

Freeman drags the knife in and out of her skull, working less like a surgeon and more like a mechanic, furious in his efforts.

Faster. Harder. Blood spurting everywhere. Freeman begins to cackle.

The skull sufficiently cut, Freeman pulls furiously. The skull won't break.

Freeman pushes, pulls, harder. Harder. Still the skull won't break.

Freeman reaches for another tool, a mallet, and begins to hammer away at the skull. A grey goo spurts everywhere.

Freeman smashes without inhibition, pummeling the skull.

Freeman grows tired, tosses the mallet onto the floor, and turns to the soldiers.

The crowd roars. Freeman stomps out of the room.

INT. HALL - DAY

Freeman slams the door behind him and finds Gustav walking away, two men beside hime. Freeman races after him.

FREEMAN

Dr. Gustav! A word!

Gustav turns, all smiles, his two men menacing. Gustav whispers to them, and they sulk off.

GUSTAV

Ah, Dr. Freeman! All went well, yes?

FREEMAN

You lying, good for nothing, hitler loving, swatsiska wearing, nazi federated fool!

Freeman grabs Gustav furiously by the collar.

Gustav frowns, points to the men standing guard at each end of the hall, Freeman glares, lets go.

GUSTAV

I was under the impression you had operated on cadavers before. Clearly I was misinformed.

FREEMAN

Let me tell you something you sniveling, rotten scoundrel, I've operated on thousands of cadavers before!

GUSTAV

Then whats the concern?

FREEMAN

The concern, Dr. Gustav, is that I did not travel 4,000 miles so I could yet again operate on another decaying corpse!

GUSTAV

What then? The beer? The schnitzel? The pretty German girls?

FREEMAN

Don't you toy with me you nazi rat.

GUSTAV

I'm afraid it is you who is toying with me. I was assured a world renowned anatomist, the world's greatest psycho-surgeon, and what did I get? A loathsome, prideful, ignorant fool.

FREEMAN

Oh and I suppose you're the patron saint of Germany, huh? Hitler's right hand man? Ruler of the world! Conquerer of all! Butcher of Jews!

Gustav grows serious for the first time. The men standing guard approach.

GUSTAV

I would advise you to abstain from such language.

FREEMAN

Why? What for? Is little hitler afraid? A coward? A Jew?

Freeman is grabbed roughly by the arms. Another man punches him in the stomach. He struggles. Strains. No use.

Freeman coughs blood.

GUSTAV

Do not confuse generosity with ignorance, Dr. Freeman.

FREEMAN

Is that a threat?

GUSTAV

No, Dr. Freeman. Unlike our great leader, I do not assume the power of violence.

Freeman spits blood.

FREEMAN

Well you fooled me.

GUSTAV

A necessary precaution.

Gustav searches the room, paranoid. Freeman scoffs.

GUSTAV

Justice is no laughing matter to the people of Germany.

FREEMAN

What justice is this?

GUSTAV

I, like you, work only for the betterment of mankind.

FREEMAN

The holy war, is it?

Gustav shakes his head.

GUSTAV

Only a fool jests of God.

FREEMAN

Rather I you?

GUSTAV

If you did not wish to operate, why then did you travel all this way?

FREEMAN

As I've already mentioned, repeatedly, I'd prefer my patients breathing.

GUSTAV

You're surgery is experimental, is it not?

FREEMAN

I'd hardly consider 500 procedures experimental.

GUSTAV

But you are one of few practitioners, yes?

FREEMAN

For the time being.

GUSTAV

And why do you suppose that is?

FREEMAN

Well the operation has many moving parts, hundreds of factors, one cannot simply

GUSTAV

But are there not other psychosurgeons in America?

FREEMAN

Why there are plenty, but

GUSTAV

But what Dr. Freeman?

FREEMAN

The surgery has many risks and

GUSTAV

A high mortality rate.

FREEMAN

Well when you consider

GUSTAV

There is no need to consider, Dr. Freeman. Death has only one interpretation. One in five. Is that not correct?

FREEMAN

Well when you adjust for

GUSTAV

Is that not so?

FREEMAN

More or less. But as I was saying

GUSTAV

Dr. Freeman. Do not mistake goodwill for irrationality. Your American colleagues may be blasé about the procedure, but here in Germany, we have much more stringent policies.

FREEMAN

I suppose those camps of yours are exempt from such policies?

GUSTAV

Those are none of your concern. Your concern is the human subject, and to risk

FREEMAN

And what is it you barter with at Auschwitz.

GUSTAV

As you know, Dr. Freeman, the german position on the Jew problem is

FREEMAN

So I've heard. But what's stopping me from jumping on the next boat home and confessing to my American compatriots all about this little scientific experiment?

Gustav frowns, shakes his head.

GUSTAV

I thought you were a better man, Dr. Freeman. Clearly I was mistaken.

FREEMAN

Is that a threat?

Gustav smiles sadly.

GUSTAV

It is merely a reminder that you are operating upon the finest minds in history.

FREEMAN

A dead man's dead, no matter his rank.

GUSTAV

I refer not to the cadavers, Dr. Freeman, but the students. They wish to learn from you, imitate you, emulate you, be you. They wish to do what you do. Not just here in Germany, but around the world too. Your disciples, Dr. Freeman, practicing not the leukotomy, not the lobotomy, but the Freeman method. Is that not something to strive for, Dr. Freeman?

Freeman hesitates, baffled.

GUSTAV

I eagerly await your reply.

Gustav tips his hat and steps away.

INT. LECTURE HALL - DAY

Freeman stands in the middle of an operating theater, dozens of soldiers listening closely.

FREEMAN

And that, gentleman, is the Freeman method.

A roar of applause. Freeman bows.

A bell rings. The crowd disperses.

Marjorie sits in a chair, only her and Freeman left in the room.

FREEMAN

I hope you enjoyed the exhibition.

MARJORIE

You always were an exhibitionist.

FREEMAN

A magician must have his flair.

MARJORIE

And a surgeon?

FREEMAN

Merely a difference of perception.

MARJORIE

But now the show must fold.

FREEMAN

Why we've hardly just begun!

MARJORIE

School already has.

FREEMAN

I'll take a sabbatical.

MARJORIE

The children, darling.

FREEMAN

Is this not the world's greatest classroom?

MARJORIE

It is not a question of academics, dear.

FREEMAN

Are they not fed satisfactorily, clothed magnificently, housed spectacularly.

MARJORIE

But their friends, dear. Their family, their lives.

FREEMAN

Life goes on living wherever you go, Marjorie.

MARJORIE

And what about Watts? Did you forget about him?

Freeman looks away, hurt. Marjorie sighs, reaches into a bag, withdraws a thick stack of letters.

MARJORIE

For a man as smart as you, you always were rather dim witted. Drop this stubborn demeanor, darling.

FREEMAN

He made me look like a fool.

MARJORIE

He merely did his job.

FREEMAN

His job got people killed.

MARJORIE

But not you?

FREEMAN

I wasn't the one wielding the weapon.

MARJORIE

When will you stop blaming him?

FREEMAN

When its no longer his fault.

MARJORIE

And yours?

FREEMAN

What could I do?

MARJORIE

Cured and they're yours. Dead and they're his. A curious thing, that brain of yours.

FREEMAN

You blame me?

Marjorie shakes her head.

MARJORIE

Thats the difference between you and me, darling. I don't blame anyone.

Freeman shakes his head, begins to erase a chalkboard.

FREEMAN

I have to work.

MARJORIE

You always do.

FREEMAN

Well its not as if I'm screwing lightbulbs all day!

MARJORIE

Just Freuleins.

FREEMAN

Thats a filthy lie!

MARJORIE

Don't treat me like one of your whores, darling. At least have the decency to feign respect.

FREEMAN

I'm under a lot of pressure.

MARJORIE

Well I'm glad you found somebody.

FREEMAN

Don't be hysterical.

Marjorie scoffs.

MARJORIE

I'm going home.

FREEMAN

We can talk about this later.

MARJORIE

No darling. You don't understand. I'm going home. As in America. As in the United States. As in the U S of A. As in home.

FREEMAN

Marjorie...

MARJORIE

Our boat leaves at eight.

FREEMAN

Darling, I can't just pick up everything and leave.

MARJORIE

Then don't.

FREEMAN

So you'll stay?

Marjorie cackles.

MARJORIE

No, darling. You may be the worlds greatest anatomist, but you're a terrible psychologist. I'm going home. The boys too. If you wish to join us, that would be wonderful. If not, well, there will be no home to go to.

Marjorie steps out of the room.

Freeman sighs, withdraws a bottle of pills, swallows a few, studies the pile of letters, falls into a chair, and begins to read.

Another. Another. Another.

Hours pass by in this manner. Gustav steps into the room.

GUSTAV

Business or pleasure?

FREEMAN

Whats the difference?

GUSTAV

Never one for holiday, aye?

FREEMAN

Who's fault is that?

Gustav chuckles.

GUSTAV

And what of these letters, if I may so inquire?

Freeman shrugs.

FREEMAN

Just chit chat.

GUSTAV

And this Dr. Watts, how is he, without your guidance?

Freeman shrugs.

FREEMAN

Not a surgery since my departure.

GUSTAV

You seem to act as if this is unordinary.

Freeman shrugs.

FREEMAN

I don't know. Maybe.

GUSTAV

Is it not your surgery?

FREEMAN

I once thought so.

GUSTAV

But not anymore?

FREEMAN

How can it be if I cannot perform the surgery?

GUSTAV

But does he not await your presence, your mind, your intellect?

FREEMAN

Only for blames sake.

GUSTAV

But who is he to blame? Is he not the man with the knife? The Dr. With the blade. The surgeon with the scalpal. You certainly cannot be held accountable.

FREEMAN

Dr. Gustav, I've been spouting that same line for years.

GUSTAV

And yet?

FREEMAN

The press is unconcerned with reality, unfortunately.

GUSTAV

The American beast is a brutal animal indeed.

FREEMAN

You're telling me.

GUSTAV

But these letters, do they not persuade? Do they not convince?

FREEMAN

You sound as if you wish me off.

GUSTAV

We work only in your self interest.

FREEMAN

And what interest is that?

GUSTAV

I've heard rumors. Whispers. Nothing confirmed. But something about a Mr. Kennedy?

FREEMAN

That's little more than fantasy. Nothing but a false reality.

GUSTAV

So Dr. Watts mentions nothing of this?

Freeman goes cold.

FREEMAN

If he did, Dr. Gustav, that would certainly be none of your concern.

GUSTAV

Apologies, Dr. Freeman. I wish only to assist.

FREEMAN

You are a lot of things, Dr. Gustav, but helpful is not one of them.

GUSTAV

And for that I am truly ashamed. But perhaps in this I can change.

FREEMAN

You will forgive my skepticism.

GUSTAV

A fair and noble judgement. But this Kennedy man is an old friend of mine, an admirer of my work.

FREEMAN

You don't say.

GUSTAV

Indeed. And with the right recommendation, you could be the man who saved Kennedy.

FREEMAN

I hope I do not offend with my doubt.

GUSTAV

Why you'd be a God amongst men!

FREEMAN

Dr. Gustav, you flatter.

GUSTAV

Imagine what the press would say.

FREEMAN

What do you get out of all of this?

GUSTAV

Is a good deed not reward enough?

FREEMAN

Little is for you Germans.

GUSTAV

Tread lightly, Dr. Freeman, for those are my countrymen you speak of.

FREEMAN

And what of them? What of you? What do you expect out of all this? Out of me? Out of the lobotomy?

GUSTAV

That, I'm afraid, is strictly confidential.

Freeman scoffs, shakes his head.

FREEMAN

You can really get a meeting with this Kennedy fella?

GUSTAV

Merely a moment away.

Freeman sighs, nods, holds out his hand.

FREEMAN

Till we meet again.

Gutavs tips his hat.

GUSTAV

If only I may be so lucky.

Freeman steps out of the room.

A long pause. A german soldier walks into the room.

GUSTAV

Ensure his safe passage, yes?

SOLDIER

Yes Dr. Gustav.

GUSTAV

Better a grateful man than a bitter one, yes?

SOLDIER

Yes Dr. Gustav.

GUSTAV

And about those letters.

SOLDIER

Yes, Dr. Gustav?

GUSTAV

Burn them.

INT. OFFICE - NIGHT

A fire burns a harsh glow as Freeman sits before it, smoking a cigar,.

KENNEDY bursts in through a door.

KENNEDY

Why if it isn't the great Freeman himself! How are you old chap? Those nazis didn't wash that brain too clean, I hope.

FREEMAN

Why I...no! Certainly not! But how did you

KENNEDY

Tell me, Freeman. Can I call you that? Freeman? I'm gonna call you Freeman. Now riddle me this, Freeman. That actress lady. The one over at RKO. What's her name? Frances something. Big time actor. Worked right along Bogart himself. What a star she was, is, of course. But you know her, don't you? Frances uhh, umm, what was it?

FREEMAN

Farmer.

KENNEDY

Thats right! That's the one! Frances Farmer! You do know her, don't you?

FREEMAN

I've seen a few of her pictures.

KENNEDY

Certainly not the one with the children, I hope!

FREEMAN

Uhh, no, I believe it was

KENNEDY

Excellent! Fantastic! Now tell me, Freeman, this Frances gal, whats she like? Pretty as she looks? Course I've had a few run ins myself, but thats all dolled up, dressed to the nines! Oh but I've heard about you! A real cad! An alley cat! Isn't that true?

FREEMAN

Well, Mr. Kennedy, I don't know about that, but

KENNEDY

Nonsense! Hogwash! Balderdash! A good looking man like yourself?

FREEMAN

Well, Mr. Kennedy, unfortunately

KENNEDY

How is she, under all those sheets?

FREEMAN

Mr. Kennedy, I'm a happily married

KENNEDY

You and me both buddy. But lets talk numbers, figures. How long before you, well, you know

FREEMAN

Mr. Kennedy, I'm afraid

KENNEDY

Alright, alright. Lets not get into it. But that brain of hers, that was your doing, yes?

FREEMAN

Surely you of all people are more than well aware of the legality of

KENNEDY

Sure. Sure. Sure. No need to tell me twice. You got your sources and I got mine. But riddle me this, buddy: could you do it again?

FREEMAN

Why I've practiced on

KENNEDY

But is it replicable?

FREEMAN

Well the procedure is still rather novel and there is a great deal of research to

KENNEDY

But given the right tools, the proper equipment, you could do it again, yes?

FREEMAN

I don't know if I follow, Mr Kennedy, for I

KENNEDY

Money. Moola. Bread. Dough. Those little green things that make the world go round! How much is it gonna cost me for one of these uhh, umm, what do you call it?

FREEMAN

Lobotomies.

KENNEDY

Alright then! How much?

FREEMAN

My concern isn't the price.

Kennedy cackles.

KENNEDY

Don't be coy, my good friend Freeman. Money is always of concern. Now go ahead, spit it out, how much will one of these little procedures put me back?

FREEMAN

Well to asses the validity of the procedure one must first

KENNEDY

Now don't go backing out on me now! If this is a deal this is a deal. Leave the details to me. All I need is a yes or no.

FREEMAN

Well I

KENNEDY

Yes or no Freeman?

FREEMAN

I mean

KENNEDY

Yes or no?

Freeman hesitates. Kennedy sighs.

KENNEDY

Look, buddy, pal. I get it. I got it. You have your morals, your ethics, your basic sort of values, that sort of thing; but this is my daughter we're talking about. Poor little Rosemary. Surely you wouldn't want her growing up a hussy! Why, at this rate, she'll end up a protestant!

Kennedy cackles heartily, slamming Freeman on the back.

KENNEDY

Now what do you say? We gotta deal?

Freeman nods absent mindedly.

Kennedy grins wildly, shakes his hand violently.

KENNEDY

Perfect! My people will be in touch.

Kennedy moves to leave, stops at the door.

KENNEDY

Oh, and one last thing. We Kennedy's, we're a proud people. A well oiled machine. Eugenics as God meant it to be. But Rosemary, well, theres been speculation, you see. A Kennedy, yes, of course, but, well, theres been rumors.

A long pause.

KENNEDY

But that's neither here nor there. Speculation, only. But rumors, well, they have a way of, infecting, yes? So when it comes to the lobotomy, perhaps we lay low, yes?

Freeman nods, still in a daze.

KENNEDY

Perfect! Until tomorrow, then!

Kennedy bursts out the door, Watts standing in his place.

INT. LECTURE HALL - DAY

Freeman paces across the room as Watts studies papers.

FREEMAN

This is absurd! This is ridiculous! What does he take us for?

Watts moves to speak.

FREEMAN

Don't answer that. But how could we? How can we? Have we no morals, no ethics, no scruples to think of?

WATTS

You astonish me, Dr. Freeman, for you and I are of the same mind.

FREEMAN

Could we be of any other?

WATTS

You're unusually cautious, if you'll permit my saying.

FREEMAN

Reason hardly connotes caution, Watts.

WATTS

Precisely. Beyond some minor mental impediments, Rosemary is of entirely good health.

FREEMAN

But then again, lets look at it this way. Have we ever considered posterity? Or lets talk politics, shall we? Imagine a force like that behind a thing like this! Why we'd

WATTS

Pardon me, but are we still discussing Rosemary?

FREEMAN

We have the most remarkable opportunity, the greatest of chances, a gift if there ever was, and we simply guffaw, thinking ourselves better than God? Why, what fools are we, to scoff at fate and history?

WATTS

But as we agreed, Dr. Freeman, Rosemary is of entirely good health. She garners no symptoms, no signs, no manifestations. Beyond some minor promiscuity, I do not see how

FREEMAN

Oh don't be so god damn naive!

WATTS

By refusing mutilation?

FREEMAN

Shes hardly healthy.

WATTS

Only if you ignore her entire medical history!

FREEMAN

What of it?

WATTS

Pardon?

FREEMAN

What? Of? It? She's a Kennedy, isn't she? A millionaire. Practically royalty. Royalty built upon the once illegal trade of alcohol, I might add. So again, I must ask, what of it?

WATTS

You can't possibly suggest

FREEMAN

Millions, Watts. And thats just the beginning.

WATTS

I will not operate on some innocent little girl just so you can

FREEMAN

Sacrifice? Yes? Is not that what He said? Every man and his sacrifice? And what of yours, Watts? What is yours? Is this not a time of war?

WATTS

And who's side are you fighting for?

FREEMAN

Be practical, Watts, for once in your life. If you think we had trouble before, there'll be plenty more.

WATTS

To this tune this monkey will not dance.

FREEMAN

And then what Watts? What happens next? He's been refused before. A dozen times or more.

WATTS

I do not see how

FREEMAN

The lobotomy is inevitable, that much is assured. The only question is, are you willing to let that blood drip through your hands? A botched lobotomy? Another dead little girl? All to appease some trivial morals?

WATTS

You can't possibly believe

FREEMAN

Does Kennedy strike you as a dull man?

WATTS

No, but

FREEMAN

Does he strike you as dim witted, simple, stupid even?

WATTS

Thats hardly a concern of

FREEMAN

A man of ill persistence then? A lazy man? A man who gives in?

WATTS

But to practice a lobotomy after

FREEMAN

And suppose we refuse. What happens next? A thief, a fraud, a scoundrel, a hobo with a cutting blade? Think Watts. Think. Whose hands is she safer in? Yours, or the drunk on skid row?

Watts glares at Freeman, looks away, nods, defeated.

Freeman smiles slyly.

INT. SURGERY ROOM - DAY

The soft lull of a woman careening the ballad "Smile".

A white room. White furniture. White walls.

Next to the woman sits Freeman, holding a clipboard in hand.

Above the woman stands Watts, in surgical attire, running a leukotomy, through the woman's brain.

FREEMAN

Who am I?

PATIENT

Dr. Walter Kalman.

FREEMAN

What about that relative that was troubling you?

PATIENT

He was after me.

FREEMAN

Are you happy?

PATIENT

Yes.

FREEMAN

What is a widow?

PATIENT

She is related to a man and he went with another woman and he picked up the other woman and that is all.

FREEMAN

What is the difference between a dwarf and a child?

PATIENT

It wouldn't hurt a dwarf and it would a child.

Freeman frowns, nods.

Watts removes the wire and steps away, washing his equipment.

FREEMAN

Rosemary?

PATIENT

Parsley, sage, thyme.

FREEMAN

The fact of the matter is

PATIENT

All facts have matter, Doctor, tis the very fabric which binds the universe.

FREEMAN

But what I'm trying to get at is

PATIENT

Haven't you got it?

FREEMAN

Pardon?

PATIENT

My brain, over there, on that silver platter.

FREEMAN

I'm afraid your senses have briefly forsaken you.

PATIENT

Where did they go?

FREEMAN

That I do not know.

PATIENT

Shame, I rather liked them.

FREEMAN

Well I do hope that with this surgery

PATIENT

Surgery?!?

FREEMAN

My partner James and I

PATIENT

Jimmy is here?

FREEMAN

Yes, James is just

PATIENT

Whats a star like that doing in a place like this?

FREEMAN

Watts, Rosemary, not Stewart.

PATIENT

Oh...Well who's he?

FREEMAN

My assistant.

PATIENT

The surgeon?

FREEMAN

Yes, the surgeon.

PATIENT

Well then who are you?

FREEMAN

Dr. Freeman.

PATIENT

His assistant?

FREEMAN

No, Miss Kennedy, I'm

PATIENT

But he's the surgeon.

FREEMAN

Yes, but

PATIENT

So who are you?

FREEMAN

If you would just

PATIENT

This doesn't make any sense.

FREEMAN

Miss Kennedy.

PATIENT

I mean you're telling me he's you're assistant and yet

FREEMAN

Miss Kennedy.

PATIENT

Of course every surgeon needs an assistant but an assistant needing a surgeon why thats just

FREEMAN

Miss Kennedy!

Rosemary quiets. Freeman digs through his pockets, withdraws a bottle of pills, swallows a small handful.

FREEMAN

Dr. Watts is a good man, a fine man, a dandy man. But he is just a man. A man like any other man. A surgeon, yes, but a surgeon under my direction. He merely acts on my behalf. He is my eyes, my ears, my appendages, but not, Ms. Kennedy, my intellect.

PATIENT

But why then do you need a man like him?

FREEMAN

Because the law dictates

PATIENT

What law?

FREEMAN

Only a surgeon may

PATIENT

But I thought you said

A slam on the door. Watts rushes over.

KENNEDY

Now when I say I wanna see my daughter I wanna see my daughter!

WATTS

I assure you, Mr. Kennedy, we are doing everything in our power to

FREEMAN

Let him in.

Watts turns, stunned.

WATTS

While I appreciate the sentiment, Dr. Freeman, surely you are not suggesting

FREEMAN

Let him in.

WATTS

Dr. Freeman, this is highly unusual. Standard procedure calls for

FREEMAN

Let him in!

Watts sighs, unlocks the door. Kennedy barges in.

INT. WAITING ROOM - DAY

Marjorie and Julia sit next to each other, staring at the door to the operating room.

JULIA

Does it always take this long?

Marjorie shrugs.

MARJORIE

Not always.

JULIA

But sometimes?

MARJORIE

Sometimes.

JULIA

What if something went wrong?

MARJORIE

Then it wouldn't take so long.

JULIA

It wouldn't?

MARJORIE

Time is a sign of caution, Julia, that is all.

JULIA

Oh I do hope thats true.

MARJORIE

(In a deep voice)

Hope, Marjorie, is a fools errand.

JULIA

Oh surely you don't believe a thing like that.

Marjorie shrugs.

MARJORIE

I used to just laugh, you know? Brush it off. Tease Walter about it. But lately, well...

Doors burst open.

Kennedy, all smiles, struts into the room followed by Freeman followed by Watts pushing Rosemary in a wheelchair.

KENNEDY

Why if that isn't the damndest thing I ever did see! Excuse me, ladies. But by God all mighty thats a miracle if there ever was!

JULIA

All went well then?

KENNEDY

Well?! Why it's a God Damn marvel! These are not men you see before you, ladies, but, dare I say it? Why, yes I do! These are Gods, ladies, Gods amongst men! Strike me down oh lord all mighty, for I have indeed blasphemied, but at what cost but the appraisal of your most loyal of servants! By God all mighty I am speechless I say, absolutely speechless!

FREEMAN

Your too kind, Mr. Kennedy.

KENNEDY

Ah yes, the great Dr. Freeman! Always a man of science! But that, my good man, is where you are mistaken. For there is no kindness in my words, no goodwill in my speech. What I speak of is truth, and truth alone. And what shame is there in this?

Watts pulls Freeman close.

WATTS

(In a whisper)

May I speak with you a moment.

FREEMAN

(To the group)

A moment, Mr. Kennedy.

KENNEDY

Oh sure, don't mind me! I'll just take little ole Rosemary on over to the gardens, eh? Oh, and about Mrs. Kennedy.

FREEMAN

Yes?

KENNEDY

Tell her, won't you?

FREEMAN

It would be my honor.

KENNEDY

Fantastic! I'd do it myself, but, well, she never was one for lobotomies. A brilliant woman, indeed, but when it comes to risk, well...

WATTS

Pardon me, Mr. Kennedy, but surely you're not insinuating Mrs. Kennedy knows nothing of this procedure.

Kennedy leans in close, looks at the two women, back to the men, winks.

KENNEDY

(Whisper)

Oh come now, Dr. Watts, surely you of all people are more than well aware of the feminine mystique.

Kennedy cackles, slaps Watts on the back, and wheels Rosemary out of the room.

WATTS

Surely you don't believe such utter nonsense.

FREEMAN

Rather I you? The man who refused?

MARJORIE

Walter!

FREEMAN

Stay out of this Marjorie.

WATTS

Surely your ego isn't quite so bloated.

FREEMAN

All I see is a patient cured.

WATTS

She's practically a vegetable!

JULIA

Oh is that true Jimmy?

WATTS

Julia, not now.

FREEMAN

I didn't realize that hand of yours was attached to my nerves! Truly, Watts, my sincerest apologies.

MARJORIE

Now Walter don't be like that, you know

WATTS

Oh so it was botched then? Why you almost had me worried! But certainly no fault of yours! Why you're the great Walter Freeman! The world renowned anatomist! History's greatest surgeon! Now let me ask you, Dr. Freeman, how many lobotomies have you performed?

JULIA

Jimmy.

WATTS

Julia I swear to God I will leave you now if you do not shut the hell up!

FREEMAN

Is that how you treat your wife?

WATTS

Screw you Freeman. Screw you and Sheila and Mary and Marsha and every other god damn student your screwing too!

JULIA

Jimmy!

WATTS

Oh don't act so goddamn naive! You know just as well as I do that this man will screw anything that moves.

FREEMAN

Watts, I would strongly advise

WATTS

Dr. Watts! Dr! D-O-C-T-O-R. Dr. Watts. Ten years and not once have you gotten that through your thick skull.

FREEMAN

Titles, Watts, are hardly toys, why

WATTS

Jesus Christ Freeman, we get it, you're the son of God, our lord and savior, Jesus Christ himself, hallelujah! But let me ask you something Freeman, pardon me, Dr. Freeman. Better yet, let me ask Mrs. Freeman.

FREEMAN

Leave her out of this.

WATTS

Marjorie, indulge me, won't you? When was the last time your husband performed a lobotomy?

JULIA

Jimmy stop.

WATTS

As in held a knife in his hand and severed a nerve.

JULIA

Jimmy, you know Walter can't.

WATTS

And why not, Marjorie?

JULIA

Jimmy!

FREEMAN

Watts!

WATTS

Marjorie?

Marjorie looks to her husband, a deep hatred in her eyes.

MARJORIE

You promised.

Marjorie walks away.

FREEMAN

Marjorie.

Freeman stares at Marjorie. Watts smirks.

WATTS

Julia, lets go.

Julia slaps Watts in the face.

JULIA

If you ever dare talk to me like that again, I'll be flying out to Reno. Understood?

Watts looks away, embarrassed.

JULIA

Jimmy!

WATTS

Yes ma'am.

Julia drags Watts away. Freeman swallows a handful of pills.

Kennedy enters the room.

KENNEDY

Why old chap, you look rather blue!

FREEMAN

Not now, Mr. Kennedy.

KENNEDY

Oh don't be absurd! Why this calls for celebration. Why Rosemary is

FREEMAN

Mr. Kennedy! Please!

Kennedy falters, taken aback.

KENNEDY

Why Freeman, I didn't know you had it in you.

FREEMAN

I'm a doctor, Mr. Kennedy, not just some floundering harlet you bummed off the street. So if you wouldn't so mind, please, leave me the hell alone.

KENNEDY

My apologies, Dr. Freeman. I wish to do no harm. But, well, you seem rather agitated.

FREEMAN

Do I now?

KENNEDY

Indeed.

FREEMAN

What could have possibly given you that idea?

KENNEDY

Why I...well...no matter. What you need is a stiff drink.

FREEMAN

I don't drink.

Kennedy flashes a mischievous smile.

KENNEDY

Don't flatter yourself Freeman. Every man drinks with me. Even the famed Dr. himself.

INT. BAR - NIGHT

Freeman hangs drunkenly onto Kennedy, Kennedy drunk but collected.

FREEMAN

I tell you what, Mr. Kennedy, if it wasn't for that lobotomy of that daughter of yours, why I'd...I'd

KENNEDY

So was the lobotomy's necessity.

FREEMAN

May I confess something, Mr. Kennedy, for my soul weeps bitterly.

KENNEDY

Please do.

FREEMAN

But you can't tell a soul! Not a single one, dead or breathing.

KENNEDY

My lips are sealed, Dr. Freeman.

Freeman leans in far too close.

FREEMAN

That whole lobotomy scam, it's really no good.

KENNEDY

Pardon?

FREEMAN

Oh sure, it rids the patient of psychotic tendencies, whatever the hell that means, but when it really comes down to it, really, its no good.

KENNEDY

Oh? And why not?

FREEMAN

Politics, Mr. Kennedy! You of all men must understand!

KENNEDY

How so?

FREEMAN

Oh its this ape of a man I'm working with! That Watts fellow. You've met the man!

KENNEDY

I have.

FREEMAN

He's a good man, he is, but as far as a surgeon goes, well...

KENNEDY

I see. And who do you propose in his stead?

FREEMAN

Why me, of course!

KENNEDY

You?

FREEMAN

I'm a world renowned anatomist!

KENNEDY

Why not?

FREEMAN

Thats where the politics come to play. Won't let me, you see. Unqualified, apparently.

KENNEDY

I'm afraid I don't quite understand.

FREEMAN

License, Mr. Kennedy! It's all about the license! You get one lousy piece of paper and suddenly you're a God to these people!

KENNEDY

I see. And have you tried obtaining this licensure?

FREEMAN

Tried? Why I damn near have!

KENNEDY

I'm afraid I'm at a loss.

FREEMAN

Politics, Mr. Kennedy, its with the politics! They just won't give me the damn thing! Think I'm some sort of Frankenstein with his monster.

KENNEDY

But if not the lobotomy, what then?

FREEMAN

Well thats where I'm stuck. It's clear, you see, that the brain is the source of all malfunction, and with just a little rewiring, why, one could do just about anything! But this method with the surgeon and the drugs and all these other variables, why its just far too risky, when it really comes down to it.

KENNEDY

I do hope, Dr. Freeman, that you do not feel this way about my daughter.

FREEMAN

Who? Rosemary? Course not! You said so yourself! A bonafide success!

KENNEDY

So it seems.

FREEMAN

Say, do you suppose we could get a few more of these?

Freeman holds up his empty glass.

KENNEDY

Barkeep?

The bartender nods, grabs two glasses, pours liquid, reaches under the table.

BARTENDER

Damn. I don't suppose you boys like your liquor warm, do ya?

KENNEDY

Apologies, my good man, but this here is a night of celebration, and we wouldn't dare relinquish it for a lick of lousy liquor.

BARTENDER

No. Course not. Well I gotta go on back and chip some ice. Watch the place, will ya?

Kennedy nods. The bartender searches a drawer, withdraws an ice pick, steps towards the back.

FREEMAN

Pardon me, good sir. What is that there you have in your hand?

BARTENDER

What do you think, buddy?

FREEMAN

I must admit I cannot say.

BARTENDER

Its an ice pick, Einstein.

FREEMAN

An ice pick you say?

BARTENDER

Yea, any other dumb questions?

FREEMAN

Just one: May I borrow it?

The bartender looks to Kennedy. Kennedy shrugs.

BARTENDER

Sure buddy, have at it.

The bartender sets down the ice pick in front of Freeman.

Freeman picks it up, studies it.

FREEMAN

Whats the weight bearing of this device?

BARTENDER

Pardon?

FREEMAN

How much force may I apply before it fractures?

BARTENDER

Hey buddy, we speak english here. Good old American english. So if you gotta question you just come out and spit it.

FREEMAN

Yes, well, how hard is it to break?

BARTENDER

Don't know. Pretty hard. Goes through ice pretty quick.

FREEMAN

And what else do you suppose this could go through?

BARTENDER

Don't know. Most things if you try.

FREEMAN

Bone?

BARTENDER

Pardon?

FREEMAN

Can this puncture bone? This ice pick of yours.

BARTENDER

(To Kennedy)

Hey buddy, I don't know what this is, but if this is some sort of funny way of joking, it ain't very funny.

FREEMAN

I kid you not, my good man. So again I must query, can this puncture bone.

BARTENDER

I think you should go.

EXT. MORGUE - NIGHT

Freeman slams upon a door, swaying with the decaying effect of alcohol.

No answer.

Freeman knocks again. Again.

FREEMAN

Hello? Anybody home? Tis I! Dr. Freeman! The world renowned anatomist!

No answer.

FREEMAN

I don't mean to intrude, but I believe I've just stumbled upon the Nobel prize, as it were. So if you would be so kind...

Nothing.

FREEMAN

Alright then. Have it your way.

Freeman stumbles around the yard, picks up a rock, and throws it through the window.

Glass shatters.

Freeman smirks, clears the glass, and climbs through the window.

INT. MORGUE - NIGHT

FREEMAN

I wish to reiterate that this is merely an empirical query. I am not, I repeat, not, breaking and entering. Well, I am splintering, and, well, also inviltrating, but I am hardly a hardened criminal. On that you have my word. I merely require a cadaver or two, but nothing more. Well maybe some tools. But just a few. But I promise you

A crash. Freeman jumps. Looks around. A fallen tool.

Freeman shrugs, stumbles through the morgue and to a freezer.

Freeman opens a small metal door and withdraws a body from inside the freezer.

Freeman smiles giddily, withdraws an ice pick from his back pocket, and places it just below the eye socket.

Freeman turns the head, adjusts the pick, and jabs it in.

Freeman cackles, ecstatic. A light flashes through the window. Freeman drops to the ground.

A pair of security guards study the broken window.

SECURITY GUARD

Alright now, sicko, you've had your fun. Come on out.

Freeman crawls across the floor, towards a door.

The security guard sighs.

SECURITY GUARD

Playing games, are we? Alright then. Archie, if you would be so kind.

Archie withdraws an obnoxiously large set of keys, and slowly studies each of them.

Freeman gets to the door, grabs the handle, pushes the door open, a breath of relief.

Freeman looks back to the cadaver. The cadaver still has the ice pick lodged in its skull.

Freeman curses under his breath, crawls back to the cadaver. Still the security guard searches for the correct key.

Freeman reaches the cadaver, and puts his hand on the table, searching for the ice pick with his hand.

Closer. Closer. Closer.

The door opens. A light flicks on. Freeman, on his knees, ice pick in hand, still lodged in the skull of a dead man, staring at the two body guards.

SECURITY GUARD

What the hell?

Freeman makes a break for it, falls at the precipice of the door.

The two men loom over him.

INT. OFFICE - DAY

Freeman sits in an office, opposite a man sitting in another chair.

A man's skull rests on the table before him.

FREEMAN

May I borrow your pick?

MAN

Pardon?

FREEMAN

Your pick. Your ice pick. That thing you chip ice with.

MAN

Perhaps you don't quite grasp the severity of your situation.

FREEMAN

In what way?

MAN

You were found piercing a man's skull.

FREEMAN

He was dead!

MAN

Thats not the point.

FREEMAN

What is?

MAN

I'd rather not hand you a sharpened weapon, if it's all the same to you.

FREEMAN

Well it's really rather not!

MAN

You're welcome to depart.

FREEMAN

Maybe I will!

MAN

By all means.

The man stands, gesturing towards the door. Freeman turns towards the door, back towards the man.

FREEMAN

Dr. Watts. You wouldn't.

WATTS

So I'm a doctor now, aye?

FREEMAN

Please.

Watts sighs, walks out of the room.

Freeman hesitates, confused.

Watts returns with an ice pick, places it on the table.

Freeman picks up the ice pick, the skull, smiles.

FREEMAN

The orbital lobe, you see, is hardly the spartacus of the skull.

WATTS

By that you mean?

FREEMAN

Fairly fragile, for the most part.

WATTS

So? What of it?

FREEMAN

So perhaps the fatal flaw in our operation is not the operation, but the procedure. Perhaps the use of the leukotomy, by piercing the sides of the skull, with its sturdy walls and half dozen bones, is our only error. Perhaps, with the help of this makeshift weapon, we can puncture the orbital lobe.

WATTS

And then what, Dr. Freeman? We jiggle it around like some sort of gelatin concoction?

FREEMAN

Well, in essence, yes.

WATTS

And you call that science?

FREEMAN

No, Dr. Watts, I call that progress.

Watts cackles.

WATTS

And who, pray tell, will perform this novel procedure?

FREEMAN

Why, any psychologist with a steady hand and an ice pick could

WATTS

So the truth comes out!

FREEMAN

Pardon?

WATTS

Oh come now, Dr. Freeman. Surely even a fool like you can see what I'm getting at.

FREEMAN

I'm afraid you are unfortunately mistaken.

WATTS

You, Dr. Freeman, are a selfish, narcissistic, egotistical megalomaniac. You are so consumed with your own self image that you fail to realize the sheer idiocy of your entire theology. You are willing to look over anything, everything, merely for the sake of fame, fortune, and posterity. You are a coward Dr. Freeman. A hollow, worthless, useless fellow. And when you're dead and gone, when that dust finally settles, no one will remember you, what you did, or what you do. You're greatest accomplishment is a botched lobotomy on a forgotten Kennedy. You are nothing Dr. Freeman. That is all.

Freeman sets down the ice pick.

FREEMAN

I'm sorry you feel that way.

WATTS

Yea. Me too.

Watts moves to leave, held back by Freeman.

FREEMAN

And the orbital lobotomy?

Watts shakes his head.

WATTS

What does it matter?

FREEMAN

I value your opinion.

WATTS

Then don't do it.

FREEMAN

Don't be foolish.

Watts scoffs.

WATTS

You don't value my opinion, Dr. Freeman. You value my support.

FREEMAN

I do not require your permission.

Watts turns.

WATTS

Is that a threat?

FREEMAN

It's a fact.

WATTS

You're playing with life here!

FREEMAN

The future is now, Watts, whether you believe it or not.

WATTS

And oh what a brave new world it is, aye, Dr. Freeman?

FREEMAN

I see your mind is set.

WATTS

Do you now?

Freeman stands.

FREEMAN

If you will excuse me, I have patients to attend to.

WATTS

Pardon?

FREEMAN

Patients, Watts. For the orbital lobotomy. Surely you haven't forgotten already.

WATTS

You couldn't possibly

FREEMAN

Yet I do.

WATTS

The university would never

FREEMAN

Private practice, Dr. Watts. Isn't that our profession?

WATTS

We don't have an operating room.

FREEMAN

We don't need an operating room.

WATTS

I'm sorry?

FREEMAN

The procedure necessitates only a short spout of electro shock therapy, an icepick, and a pair of sun glasses.

WATTS

You're joking.

FREEMAN

I do not joke about the lobotomy, Watts.

WATTS

Are you insane?

FREEMAN

Many men are.

WATTS

This office is in no way equipped to

FREEMAN

As I previously menitoned

WATTS

What if she convulses? What if she ceases? Or what, pray tell, do you plan on doing when you rupture an artery?

FREEMAN

I won't.

WATTS

Oh well thank God! You just won't! Why didn't I think of that!

FREEMAN

This is not your decision.

WATTS

No, Dr. Freeman, you're right, it's not. But if you perform any sort of medical procedure of any kind in this office, I will personally ensure the suit of this medical practice on behalf of both myself and the university. And as for your position at the university, I will guarantee its termination.

FREEMAN

You seem upset.

WATTS

What an astute observation from the world's greatest psychologist! Really, Dr. Freeman, how do you do it?

FREEMAN

If you do not approve of the orbital lobotomy that is your prerogative. But I cannot merely abandon my labor because you have a delusional hangup based solely upon your own incompetence.

WATTS

One in five dies on your watch, Dr. Freeman, not mine.

FREEMAN

Never blame the conductor for the musician's error.

WATTS

Oh thats right! My apologies! A cured patient is the work of pure genius, but their death is the cause of my own imbecility.

FREEMAN

Your words, not mine.

WATTS

How can you possibly

A knock on the door. A woman,LUCY, enters the room.

LUCY

Pardon me, Dr. Freeman, I don't mean to intrude. But we do have an appointment today? Yes? At noon?

FREEMAN

Why of course! Of course! My colleague and I were just having a lively discussion. Think nothing of it! Truly! Now about the lobotomy.

Watts glares at Freeman. Freeman ignores him.

LUCY

Yes?

FREEMAN

Well, it seems our operating room is a bit, occupied, at the moment.

LUCY

Oh dear! I hope no one is hurt!

FREEMAN

Tis only a flesh wound, my dear! But I'm afraid we will have to reschedule.

LUCY

Why of course, Dr. Freeman.

Freeman opens the door.

FREEMAN

Our secretary will see to it.

LUCY

Well, yes, thank you again. And to you too, Dr...Dr...

WATTS

Dr. Watts

LUCY

Oh yes! Of course! Dr. Knots.

Lucy is pushed out of the room.

FREEMAN

I hope that patches any harsh feelings, aye ole chap?

Watts shakes his head.

WATTS

I am not your chap. I am not your friend. I am not your confidante. We are merely two people with two names on a wall. That is all.

FREEMAN

Now Watts, don't be

Watts steps out of the room.

EXT. HOUSE - NIGHT

Marjorie approaches the door, arms crossed.

MARJORIE

What do you want?

FREEMAN

I want to come home.

MARJORIE

Forget it.

FREEMAN

I made a mistake.

MARJORIE

Again and again.

FREEMAN

So I've made a few.

MARJORIE

You've slept with every woman this side of the Mississippi.

FREEMAN

Now Marjorie you know thats not true.

MARJORIE

You're right Walter. My mistake. I'm sure you've slept with many women on the other side too.

FREEMAN

There is no love in such a carnal act. Merely a biological behavior. No different than shaking hands.

MARJORIE

Well you'll excuse me if I don't shake yours.

FREEMAN

Just skin and bone. Nerves and organs. Nothing real. Nothing like this.

Marjorie sighs.

MARJORIE

Infidelity is not my concern, Walter.

FREEMAN

Then what is?

MARJORIE

This. You. All of it. Everything. The work. The University. The god damn lobotomy. Jesus Christ Walter. When will you ever learn there is more to this world than just the lobotomy.

FREEMAN

I've been distracted, I admit, but

MARJORIE

Jesus Christ Walter, I see Jimmy Stewart more than you!

FREEMAN

Why if this is in reference to Watts I'll

MARJORIE

What? Give him a lobotomy too? Oh, thats right, you can't. You're not a surgeon.

FREEMAN

Now Marjorie you know that's not fair. A man must have his pride, his honor, hist self-esteem. Why a man can hardly

MARJORIE

I want a divorce.

FREEMAN

Marjorie.

MARJORIE

Julia will watch the boys.

FREEMAN

You don't have to do this.

MARJORIE

I'll be back in six weeks.

FREEMAN

Marjorie be reasonable.

MARJORIE

My train leaves Monday.

FREEMAN

You can't do this to me!

MARJORIE

You already did.

Freeman sighs.

FREEMAN

I'll take the boys.

MARJORIE

No.

FREEMAN

We'll go to Yellowstone.

MARJORIE

No.

FREEMAN

Marjorie, please.

Freeman reaches for Marjorie. Marjorie reels back.

MARJORIE

The boys will be packed by 7. I expect you gone by 8, and back by the 9th. By then, the papers will be ready to sign.

Marjorie closes the door.

Freeman sighs, steps away, pauses turns back, stops, turns again. Another step. Another.

Freeman turns again, steps back to the door, leans his ear against the door, hears her breathing.

FREEMAN

Marjorie I...I don't know how to say this...but...I know I haven't been much of a husband, or a father at that, but with our work and the university and the lobotomy...Marjorie I...I can't do this without you. I'd give up anything for you. Everything if I could. If I had to choose between the world and you, I'd choose you. Please, Marjorie. I can't do this without you.

Marjorie closes her eyes, holds back tears.

Freeman waits for a response. Silence.

Freeman steps off the porch, pauses, turns back at the sound of the door.

An illusion.

Freeman wipes away tears, gathers his breath, and walks away.

EXT. FOREST - NIGHT

Freeman hunches over a transistor radio, greasy fingers staining the speaker.

NEWS CASTER

In other news, Portugal's own Egas Moniz won the Nobel prize last night for his inventive discovery of the Frontal Lobotomy. This makes Moniz the first man in Portugal's history to win the prestigious award. Furthermore...

FREEMAN

That greasy, slimy, worthless weasel!

Freeman kicks the radio. The boys gasp.

Freeman turns on his son, nothing but rage.

FREEMAN

Do I look like an imbecile to you?!

The boys stare quietly at him.

FREEMAN

Go to bed.

The two boys hesitate.

FREEMAN

Go.

The boys don't move.

FREEMAN

Go!

The two sulk off.

FREEMAN

Keen. you too.

Keen stares at Freeman, doesn't move.

FREEMAN

What?! What?! What could possibly be so goddamn important?

Keen shakes his head.

Keen follows the boys out of the room.

Freeman turns back to the radio, turns it up.

NEWS CASTER

In other news, the once beloved Frances Farmer has once again been hospitalized with what doctors are calling a rare mood disorder which affects

Freeman kicks the radio. The sound dissipates. Freeman stares at his disfigured reflection in the chrome, digs through his pockets, and swallows a handful of pills.

EXT. FOREST - NIGHT

The wail of a crow. The flash of lightening. Rain. A river. Wailing. Screaming. An arm. A leg. An icepick. A canteen. Pills spilling upon the forest floor. Sharp rocks. Waterfall. A shoe floating in the river.

EXT. SHED - NIGHT

Freeman slams on a door.

The creak of wood as RANGER approaches the door.

RANGER

Alright. Alright. I'm coming, I'm coming. Don't get your knickers in a knot.

The Ranger opens the door

RANGER

Alright now, what's this all about? Waking me up in the middle of the night like I'm some sort of

The ranger stops at the sight of Freeman's disheveled appearance.

FREEMAN

I...I mean Keen...he went to fill up his canteen...and he...well

RANGER

C'mon man, spit it out!

FREEMAN

The problem is...I mean...you see...well

RANGER

Is this some sort of practical joke?

FREEMAN

No sir, I don't believe it is.

RANGER

What then?

Freeman stares past the ranger.

FREEMAN

It's my son, you see...he has this canteen...and it was empty, I believe...so he went to fill the thing...in the river, I think...and he...well he...

The Ranger sighs.

RANGER

The river, huh?

Freeman nods.

RANGER

You better come on in.

INT. SHED - NIGHT

The boys race over to a couch as Freeman searches the room, unable to sit.

RANGER

Can I get you something? Coffee? Cola? Whiskey?

FREEMAN

I'm fine. Thank you.

RANGER

You might wanna reconsider.

FREEMAN

Coffee is fine.

RANGER

I'll pour you some Whiskey. Ice?

FREEMAN

No, thats alright.

RANGER

I'll get you some ice.

The ranger opens a freezer, curses under his breath, search a drawer, another, another.

RANGER

Now where did I put that damn pick.

FREEMAN

Its alright. Really. I don't mind.

RANGER

No. No. As a guest in my home the least I can do is

FREEMAN

Really, I don't mind.

RANGER

I insist!

FREEMAN

It's no trouble.

RANGER

It's no good without.

FREEMAN

I'll be alright.

RANGER

You oughta have ice.

FREEMAN

I'd really rather not.

RANGER

I won't hear another word.

FREEMAN

Please, if you could just

RANGER

Aha!

The ranger pulls an ice pick from a drawer.

RANGER

There we have it. Now if I could just

The ranger mumbles to himself as he stumbles to the freezer and chops ice from an ice block.

FREEMAN

Would you forget about the damn ice!

The ranger stops, shakes his head, pours a glass, with ice, and hands it to Freeman.

RANGER

How old was your boy?

FREEMAN

13.

RANGER

Uh huh...and this boy of yours, you got a description.

FREEMAN

I have photo if that would help.

RANGER

If you wouldn't so mind.

Freeman hands over the photo.

The ranger studies it, releases a long, slow breath.

RANGER

Now what I'm about to say, it's a little off putting. It's drastic, you see. I mean, tragic, that is. Doesn't play well with the kids, you see. Not much for parents neither. But the last thing I need is for you to go and get hysterical. So I need you to promise me you won't get hysterical.

FREEMAN

And what exactly

RANGER

Your word.

Freeman hesitates.

FREEMAN

You have it.

Ranger takes another deep sigh.

RANGER

Not too long ago, a boy fell into the river.

FREEMAN

A boy, why

RANGER

Sir, please.

Freeman nods, terrified.

RANGER

Now this boy, apparently, wasn't much of a swimmer, so this military sort of fella went in after em. Problem was, there were these falls, you see, and, well...

A long pause. The ranger sighs.

RANGER

As of now, neither have been found.

FREEMAN

Why, why, why that could be anybody!

RANGER

Yes. It could. It very well might be. But I want to prepare you for the possibility that it may not be.

FREEMAN

Why this is absurd! This is ridiculous! My boy?! A Freeman?! Drown! This couldn't possibly be!

RANGER

Have any of you heard from this, this,

FREEMAN

Keen.

RANGER

Yes. This young Mr. Keen.

FREEMAN

Well suppose that we haven't? Suppose that we didn't? Why that by no sense means

RANGER

Sir. Your word.

FREEMAN

Screw your goddamn word! You're gonna get off your lazy hillbilly ass and find my boy!

RANGER

Language, sir.

FREEMAN

Fuck your goddamn language!

RANGER

Sir, if you continue in this manner, I'm going to have to ask you to remove yourself from the premises.

FREEMAN

Like hell I am!

RANGER

Sir, I know this may be difficult

FREEMAN

Why I just about have it in me to

RANGER

Sir, please

FREEMAN

Please yourself you asshole! You won't find my boy? Fine. We'll do it ourselves! Boys. Lets go.

Neither boy moves.

FREEMAN

Now!

Still the boys don't move.

Freeman takes a threatening step forward, stopped by the Ranger.

RANGER

I think you just might need to cool off.

FREEMAN

Like hell I do!

RANGER

The boys are safe with me.

FREEMAN

Just like Keen?

RANGER

We're doing everything we can.

FREEMAN

Well its a little too late now!

RANGER

Sir, if you would please just

Freeman storms out of the cabin.

EXT. SHED - NIGHT

Limbs swinging wildly, Freeman throws himself out of the cabin, all in a fury.

Freeman breathes heavily, slows, tries to catch his breath, can't.

Freeman falls to his knees, frantically searches his pockets, withdraws an orange pill bottle, struggles, opens the bottle.

Empty.

Freeman falls to the ground, gasping.

The ranger steps out of the building, the two boys behind. Upon seeing Freeman, the ranger rushes the boys back inside.

The ranger rushes back out of the cabin and to Freeman's side, whiskey in hand.

RANGER

Alright now. Alright. You're alright. Just a little scare. That is all. Nothing more. Have a swig of this. It'll give you a lot more than hair on that chest of yours.

Freeman obliges, sips from the bottle.

FREEMAN

I...

RANGER

Apology accepted. These are trying times, God knows it more than any of us. We will find your son, Mr. I assure you.

FREEMAN

Dr.

The ranger cackles.

INT. SHED - DAY

The boys whisper to each other conspiratorially on the floor, Freeman lies on a couch.

The Ranger walks in, hands the receiver of a phone, nods to Freeman.

Freeman gathers his strength, stands, and steps out of the cabin with the ranger, the cable to the phone pulled out the door.

The boys look to each other, rush over to the window, search for their father, find him off in the distance.

Freeman holds the phone in hand, nodding and mumbling and pacing.

Freeman stops.

The Ranger wraps a hand around his shoulder.

Freeman stuffs the phone into the Ranger's hand and walks back into the cabin.

FREEMAN

We're going home.

INT. HOME - DAY

A phone rings. Marjorie picks up the phone.

MARJORIE

Hello? This is she.

Marjorie listens for a long time.

MARJORIE

Yes. Thank you.

Marjorie walks into the living room, sitting in a chair across from Julia.

JULIA

Who was that dear?

MARJORIE

Oh just another one of Walter's friends.

JULIA

Are you and him still...

MARJORIE

I don't know. Maybe. Was I being too hard on him?

JULIA

All I know is Jimmy and him are two of a kind.

A knock on the door. Both turn.

MARJORIE

Now I wonder who that could be.

Marjorie stands. Julia too.

JULIA

Now Marjorie you just sit right back on down.

MARJORIE

Julia, don't be absurd.

JULIA

The doctor said rest and I haven't seen one bit of it.

MARJORIE

The last thing I need is more of

JULIA

Now Marjorie, I don't know much of anything about anything but one thing I do know is a doctor when I see one and when she says you need rest thats just what you'll get.

MARJORIE

Julia I

JULIA

Do I need to call Jimmy?

Marjorie sighs, obliges. The bell rings again, Julia rushes to it, answers the door.

Marjorie cannot see them, but she can hear them.

Joyful phrases grow hushed. Marjorie leans forward, as if in an attempt to hear them.

Nothing.

Julia steps back into the room, eyes vacant.

MARJORIE

Why Julia! You act as if you've seen a ghost.

JULIA

Eleanore was just reading the paper and she...she

MARJORIE

What dear?

JULIA

She read about this boy. At Yellowstone.

MARJORIE

And? What of it?

Julia sighs.

JULIA

He drowned.

MARJORIE

Oh thats awful!

JULIA

Marjorie I...

MARJORIE

Oh what now Julia?

JULIA

The paper said it was him.

MARJORIE

Who?

JULIA

The boy.

MARJORIE

What boy?

JULIA

Keen.

Marjorie stares at Julia, silent.

Julia, shaking, hands Marjorie a newspaper.

Marjorie reads the paper. Again. Again. Again.

Marjorie breaks down, broken.

INT. OFFICE - DAY

Watts slams on the door of an office.

WATTS

Come on now Freeman, open up.

Silence.

WATTS

We only want what's best for you.

Silence still.

WATTS

We need you.

A lock turns. The door opens.

Freeman, unshaven, disheveled, drunk, stumbles back to a chair.

Watts steps into the room.

Freeman cackles.

Freeman points to a wall of photos, all pictures of him performing orbital lobotomies.

FREEMAN

Third from the right, second column down. Picture took too long.

WATTS

You must be confused.

FREEMAN

Second drawer, on your left.

WATTS

Pardon?

FREEMAN

The file. Check it.

WATTS

Freeman I'm not

FREEMAN

Scared?

WATTS

Should I be?

FREEMAN

You tell me.

Watts sighs, sets down his hat, searches the cabinet, finds the folder. On the file is stamped the word "deceased".

WATTS

Jesus Freeman, if this is true

FREEMAN

What will you do?

Watts stares at the picture, shakes his head, sets down the file.

WATTS

Thats not why I'm here.

FREEMAN

No?

WATTS

You still have a life out there. A wife, a family, kids. I know this may be hard, but

FREEMAN

How do you know?

WATTS

I'm trying to help.

FREEMAN

How's that going?

WATTS

There is more to life than just

FREEMAN

What?

WATTS

Pardon?

FREEMAN

Other than life, what is there?

WATTS

I'm not here to parley theology.

FREEMAN

Why are you?

WATTS

You're still a husband. A father. A doctor. None of that has changed.

FREEMAN

The world just keeps on turning, huh?

WATTS

Reveling in guilt won't do anybody any good.

FREEMAN

Good died with Keen.

WATTS

He was a fine young man, it's true, but

FREEMAN

Get out.

WATTS

Pardon?

FREEMAN

Get out!

WATTS

You're drunk!

FREEMAN

You're leaving!

WATTS

Over my dead body!

FREEMAN

That can be arranged!

WATTS

Is that a threat?

FREEMAN

It's certainly not an invitation!

WATTS

I'll have you know

A door opens. A woman, the woman who previously seek out a lobotomy, steps into the room.

WOMAN

You fellas sure do bicker a bunch.

FREEMAN

A professional dispute.

WATTS

I'm sorry, miss, but I'm afraid

FREEMAN

Dr. Watts will not be joining us.

WOMAN

Thats too bad.

Watts pulls Freeman aside.

WATTS

If you think you are

FREEMAN

Electroshock therapy.

WATTS

I want your word.

FREEMAN

Stay, if so concerned.

WATTS

You know I can't stand that stuff.

FREEMAN

Very well then.

WATTS

Your family needs you.

FREEMAN

What use am I?

WATTS

Surely you don't believe

FREEMAN

Good day, Dr. Watts.

WATTS

Freeman you must understand

FREEMAN

I said good day!

Watts hesitates, sighs, steps out of the room.

EXT. OFFICE - DAY

Watts steps out of the building and onto the street, stops, reaches for his hat, finds it gone and turns back into the building.

INT. OFFICE - DAY

Watts walks into the room.

Freeman looks up from his patient, an ice pick in hand.

Watts stares at Freeman, his ice pick, the patient.

WATTS

I had your word.

FREEMAN

And so did God.

WATTS

Freeman...

FREEMAN

Where is Keen?

EXT. GRAVEYARD - NIGHT

Marjorie falls in front of a gravestone, bottle in hand, drunk as can be, too drunk even for tears.

Freeman, hesitant, approaches.

FREEMAN

I've spoken to Watts.

MARJORIE

I've spoken to God.

FREEMAN

I've been offered an early retirement.

MARJORIE

Is that what they're calling it?

FREEMAN

That's what it is.

MARJORIE

Guess Watts finally had enough of you.

FREEMAN

This has nothing to do with

MARJORIE

What special kind of imbecile are you?

FREEMAN

The students adore me!

MARJORIE

Only the ones you screw.

FREEMAN

Marjorie!

MARJORIE

Yes darling dearest?

FREEMAN

Your son lies before you.

MARJORIE

And where do you?

FREEMAN

California.

MARJORIE

Excuse me?

FREEMAN

San Francisco, more specifically.

MARJORIE

Go to hell.

FREEMAN

Rents unaffordable.

MARJORIE

Only when you're unemployed.

FREEMAN

Come now, Marjorie, what good will pouting do?

MARJORIE

So it's decided then?

FREEMAN

It is.

MARJORIE

Then why bother asking?

FREEMAN

Your opinion matters.

MARJORIE

It shows.

FREEMAN

What good will staying do?

Marjorie sips from her bottle, looks at the gravestone.

FREEMAN

Oh come now, Marjorie. Thats just dust and bones.

MARJORIE

Thats all he ever was to you. Thats all anyone ever is. Dust, bones, and a frontal lobe.

FREEMAN

What more do you want from me Marjorie? I've given you everything. Everything I have. Everything I own. Everything thats mine is yours. I have nothing left to give.

Marjorie cackles.

FREEMAN

You're drunk.

MARJORIE

Whats your excuse?

Freeman sighs, looks at his watch.

FREEMAN

Our train leaves at 8.

Freeman walks away, swallows pills. Marjorie breaks down into tears.

The wail of a train.

Smoke.

INT. OFFICE - DAY

Smoke clears. Freeman stands at a window, watching a train go by.

A woman, HELEN, steps into the room.

Freeman feigns a smile and holds out his hand.

FREEMAN

Well, Ms. Helen, how are you now?

HELEN

Oh I've been better. Those voices, you know, they come and go.

FREEMAN

Well, as they say, third time's a charm!

HELEN

May I ask you, Dr. Freeman, a rather queer question.

FREEMAN

Questions are the source of the soul, Ms. Helen. Please, ask away.

HELEN

Well if it didn't work the first time. Nor the second time neither. Why do you suppose the third time will differ?

FREEMAN

Well, Ms. Helen, thats a rather admirable quandary. The frontal lobe, you see, houses hundreds of millions of infinitesimal neurons. And while my surgery attempts to sever those which have faltered, unfortunately, occasionally, a few can be missed.

HELEN

But why did you miss them, Dr Freeman.

FREEMAN

Well thats the thing about the brain, Ms. Helen, it's all rather complicated.

HELEN

But Dr. Freeman, I thought you knew what you were doing.

FREEMAN

When it comes to the brain, I'm afraid, no one quite knows what they're doing.

HELEN

I see.

FREEMAN

Now shall we proceed?

Helen hesitates.

HELEN

One final question, Dr. Freeman, if I may.

FREEMAN

Don't faun coyness with me Ms. Helen.

HELEN

Has anyone ever died from this surgery?

FREEMAN

What nonsense Ms. Helen! Now what could possibly make you think of a thing like that?

HELEN

Theres this boy I once knew, a Howard Dully, I believe.

FREEMAN

A fine young man.

HELEN

Well, he said sometimes the surgeries don't go so right, that sometimes they go wrong. Is that true?

Freeman smiles kindly.

FREEMAN

Why Ms. Helen, Howard is but a boy. A bright young lad, its true. But a child, nonetheless. And what do children know of lobotomies?

HELEN

I just worry, you know.

FREEMAN

I assure you, Ms. Helen, everything will be just fine.

Helen sighs, nods.

Freeman stands, steps over to a closet, in, out. In his hands is an old, dilapidated electroshock machine.

Freeman sets it on his desk, plugs it in, and attaches the wires to Helen's skull.

Freeman turns a knob. The knob snaps off. Freeman looks at it, puzzled, steps out of the room.

A long moment passes.

Freeman returns with a set of pliers, grips the pliers to where the knob once was, and turns.

Helen convulses. Stops. Unconscious.

Freeman steps back into the closet, finds a camera, and snaps a few pictures of the woman.

Freeman scribbles a few notes, and then searches a drawer. Within the drawer is an ice pick.

Freeman withdraws the ice pick, sets a chair across from Helen, and begins the orbital lobotomy.

Finished, Freeman sets the ice pick aside, looks at his watch, and steps out of the room.

Another long moment passes.

Freeman returns with a bottle of champagne, stops at the door, confused.

Freeman checks his watch again, shakes his head, sets down the bottle of champagne, and lightly taps Helen.

FREEMAN

Ms. Helen. Your return is overdue.

No response.

FREEMAN

Ms. Helen? I do wish you would respond. I have champagne, you know.

No response.

FREEMAN

Ms. Helen, I am no longer amused. Now please. If you would.

No response.

Freeman sighs, checks her pulse, shakes his head.

Freeman steps into the closet, and returns with a large box of files.

Freeman locates the file of Helen.

Freeman opens the file, searches his pockets, steps over to the drawer, and withdraws a red pen.

Freeman scribbles the word deceased on the file.

The phone rings.

FREEMAN

Hello...this is he...I see...yes, very well, thank you.

Freeman hangs up the phone, dials another number.

FREEMAN

Marjorie. Now don't start now, this is urgent...I know I know but...will you just...its about our son.

A long pause.

FREEMAN

Marjorie?...they found a tumor, in his brain, they want to operate...I don't think they should...surgeries like that, they're far too perilous...I don't care what the surgeon says! I'm a surgeon goddamn't!

Freeman massages his temporal lobe.

FREEMAN

Well if his mind is made, his mind is made...but know I strongly advise against it...very well then...I won't be home for dinner...I have a meeting with the board.

Freeman hangs up the phone.

INT. DINER - NIGHT

Freeman, hunched over in old age sits across from a young woman, easily a third of his age.

WOMAN

So you're really him, huh, the guy from the magazine?

FREEMAN

One and the same.

WOMAN

Oh gosh golly, thats really awful swell. Why just the other day I thought to myself

WAITER

Mr. Freeman?

FREEMAN

(To the waiter)

Dr. Freeman.

WAITER

Theres a call for you.

FREEMAN

Not now.

WAITER

A Mrs. Freeman, I believe.

The young woman blushes, Freeman sighs.

FREEMAN

Excuse me a moment.

Freeman steps away. The young woman plays with her fries.

Freeman returns, eyes dead, staring blankly at the world.

FREEMAN

He's dead.

WOMAN

Who?

FREEMAN

My son.

WOMAN

Oh I...well I'm really awful sorry...perhaps it'd be best if I

The young woman stands, gathering her belongings.

FREEMAN

Sit down!

The young woman stares at him, shakes her head, and leaves.

The waiter approaches.

WAITER

Anything else?

Freeman shakes his head.

FREEMAN

No.

Across from him sits not the young woman, but Marjorie.

MARJORIE

Excuse me?

FREEMAN

I have to work.

MARJORIE

You have to come.

FREEMAN

It's the APA.

MARJORIE

It's his funeral.

FREEMAN

I'm sorry.

MARJORIE

Don't waste your breath.

FREEMAN

Now Marjorie you know thats not fair.

MARJORIE

When has anything in this world ever been fair?

FREEMAN

You're being hysterical.

MARJORIE

What about you?

FREEMAN

Marjorie you can't blame me for

MARJORIE

And why is that, Walter? Please, enlighten me?

FREEMAN

Do you think me God? Lucifer? Satan? Beelzebub? I am just a man, Marjorie! Do you truly believe I can induce brain tumors by

MARJORIE

You are the worlds foremost expert on the brain, history's greatest intellect, the architect of the orbital lobotomy. How could you possibly

FREEMAN

Marjorie, don't be

MARJORIE

But when your own son, your own flesh and blood, needs a life saving surgery, what do you do?

FREEMAN

I did what I had to.

MARJORIE

And look where that got you.

FREEMAN

What could I do?

MARJORIE

Why didn't you operate?

FREEMAN

Now Marjorie you know that I can't just

MARJORIE

Because you're not a surgeon or because you're just coward? Or is it just both?

FREEMAN

I don't know what you want from me.

MARJORIE

You, Walter. I just want you. To be there for John, for Jr, for Keen, for me. Why is that so much to ask for?

Freeman looks at his watch.

FREEMAN

My train leaves at 8.

Marjorie sighs, nods, looks away.

Freeman hesitates, steps out of the room.

INT. AUDITORIUM - DAY

Walter stands upon a stage, ten women behind him, holding the arm of one, twisting it around, a large box behind him. The room is half filled and emptying with a startling regularity.

FREEMAN

And so, gentleman, as you can see, by merely gauging the flexibility of the patient's flexor ulnas, one can not only determine the necessity of the orbital lobotomy, but also

AUDIENCE MEMBER

Murderer!

AUDIENCE MEMBER

Butcher!

AUDIENCE MEMBER

Killer!

FREEMAN

Please, gentlemen, I beg of you, refrain from such arbitrary commentary until after you've

AUDIENCE MEMBER

Executioner!

Freeman forces a false smile, irritated.

FREEMAN

This is not, my good men, an open dialogue. This is solely an empirical presentation. If it is a debate you desire, then perhaps you should concern yourself with

AUDIENCE MEMBER

This is genocide!

FREEMAN

I'd hardly consider a miracle saving procedure

AUDIENCE MEMBER

You're a hired hitman for 30 bucks a pop.

FREEMAN

I'm afraid you do not quite grasp the complexities of

AUDIENCE MEMBER

Flexibility?

FREEMAN

Flexibility is just one of many factors which

AUDIENCE MEMBER

I thought the lobotomy was a last resort?

FREEMAN

In certain cases it may be beneficial to

AUDIENCE MEMBER

Your colleague Dr. Watts claims

FREEMAN

Dr. Watts is not a member of this practice.

AUDIENCE MEMBER

But he says

FREEMAN

It does not matter what he says.

AUDIENCE MEMBER

But as your colleague you must admit he

FREEMAN

Dr. Watts is a blundering, billowing, bumbling fool! And as for the orbital lobotomy, if you think I'm just some lousy, good for nothing hired hand, why you've never had a damn thought in your entire wretched, miserable little life!

AUDIENCE MEMBER

While we do not wish to dispute such marvelous claims, Dr. Freeman, we of the psychiatric board are rather concerned with the rather haphazard standards by which

FREEMAN

YOU WANT EVIDENCE?!

Audience members go silent at Freeman's sudden rage.

Freeman dumps hundreds of papers onto the floor.

FREEMAN

Here's your god damn evidence! Years of correspondence! Thousands of successful orbital lobotomies! Christmas cards, birthday cards, twenty page letters, theses, essays, novellas for Christ sake! World renowned chefs, artisans, professors, violinists: human beings cured of their retched disease.

What few men are left step away.

Freeman kicks the dropped box, letters flying. Freeman grabs at letters, ripping them apart. One after another after another.

FREEMAN

YOU FOOLS! YOU IMBECILES! YOU MISERABLE, DISMAL CRETINS! LOOK AT YOU BASKING IN DELUSIONAL SELF IDIOCY! I GIVE YOU GOD AND YOU CONCERN YOURSELF WITH BEST PRACTICES? HAVE YOU NO COURAGE? NO DECENCY? NO HUMANITY TO THINK OF? ARE YOU NOT MEN OF REASON, LOGIC, BASIC RATIONALITY? OR ARE YOU JUST BRUTES, ROTTING LIKE THE RANCID SAVAGES YOU FLEE FROM?!

Freeman grows tired, reaches into his pocket, and withdraws a box of matches.

Freeman sets the papers on fire.

EXT. TRAIN STATION - NIGHT

A light. A cigarette. Freeman pulls, blows smoke.

Freeman looks at his watch, looks down the tracks, sighs.

Freeman studies a letter in his hand, looks up.

Across the tracks stands Watts, Marjorie, Rosemary, Helen.

Freeman takes a step forward. A train whistle blows. Freeman hesitates, a train barrels towards him.

The wind blows. The letter flies out of his hand. Freeman chases after it. Trips, falls. The letter blows away.

Freeman tries to climb to his feet, falls, struggles, strains, can't get up.

Freeman opens his mouth, tries to yell, no sound.

A train pulls into the station.

The train puffs, departs.

No one.

Nothing.

All is lost.

FADE OUT